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Aviation Art Prints  Aviation Artists  Robert Taylor |
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The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession. Sadly he passed away in January 2024.
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Canberras Over Cambridgeshire by Robert Taylor. Undeterred by Friday 13th, Wing Commander Beamont took off that day in May 1949, in the Canberra prototype. So accomplished was this new jet bomber that by the end of the 1950s, no fewer than 41 R.A.F. Squadrons were equipped with the Canberra, and the training of crews in another 16 countries had begun. Robert Taylors painting, shows the aircraft during a formation training sortie, rushing over the fenlands of Cambridgeshire, England, preparing to land at its R.A.F. Wyton base. |
Combat Over London by Robert Taylor During the legendary Battle of Britain Spitfires of 92 Squadron are engaged with Messerschmitt Me109s of JG-2 in a high-altitude dog-fight directly over London in September 1940. Way below bombers of the Luftwaffe attempt one of their final daylight raids over the capital. |
Queens Flight by Robert Taylor. A specially commissioned study of her Majesty The Queens Flight on the occasion of its 50th Anniversary. Featured are all the main aircraft to have been in service with the flight. |
Rangers on the Rampage by Robert Taylor. Flying the high speed low level Day Ranger missions in the Mosquito was one of the most exhilarating forms of aerial combat experienced by aircrews in WWII. Given a free hand at squadron level to select targets of opportunity deep inside enemy held territory, operating the fastest piston engined aircraft of the war, the Ranger Mosquito crews wreaked havoc in the air and on the ground literally all over occupied Europe. Approaching their targets at tree top height, often completely undetected, the element of surprise was usually total; one pair of Mosquitoes arriving over an airfield near Kronigsburg found a ceremonial parade in progress, broke up the party, and departed within seconds leaving five aircraft burning and a bunch of German generals diving for cover beneath thei staff cars! Typical of the Day Ranger squadrons was No.418 City of Edmonton Squadron RCAF. Flying the Mosquito Fighter-Bomber MkVI, they completed over 3000 effective missions, destroyed 172 enemy aircraft - 73 on the ground - damaged a further 103, and in addition brought down 83 buzz-bombs and destroyed countless vehicles. In company with other Mosquito Ranger squadrons, they rampaged across Europe with outstanding courage in the best traditions of the RAF and Commonwealth Air Forces. Robert Taylors painting dramatically brings to life a Mosquito attack on a German fighter station deep inside Germany. Arriving over the target at little above hangar height, the two-ship mission announce their arrival by raking the field with cannon and machine gun fire. Within seconds both aircraft have scored direct hits with their 50lb bombs, and before the defensive flak guns can get the range, the pair have departed for home. |
Return to Duxford by Robert Taylor Flying low over the picturesque village of Thaxted, in the cold winter of 1944-45, the P-51D Mustangs of the 78th Fighter Group return to Duxford after a tiring eight hour escort mission. With dusk approaching, low on fuel, the fighters have about 20 miles to run. Catching the festive mood, the pilots have dropped to tree-top height to take in the spectacular countryside as they scurry back to base and some well-earned celebrations. |
Sea Harriers by Robert Taylor. A symbolic study of the very first two Sea Harriers to fly with the Royal Navy Fleet Air Arm, 700 Alpha Squadron, commanded by Sharkey Ward. Seen overflying Plymouth Harbour, both of these aircraft fought in the Falklands War. |
Victory over Dunkirk by Robert Taylor. Fearless and effective in battle, no matter what the odds, Stanford-Tuck achieved a magnificent 29 aerial victories by 1942 when he was shot down by groundfire over Northern France. Here Bob Stanford-Tuck brings down an enemy aircraft over the port of Dunkirk early in 1940. |
Valor in the Pacific by Robert Taylor. Depicted are B-29s of the 499th Bomb Group, 73rd Wing of the 20th Air Force. After a daylight raid on Tokyo, showing all the telltale signs of combat over the target, a Wing of the worlds largest and fastest-ever piston-engined bombers make their long over-water journey home, still many hours away at Saipan Island. At the extremity of their range, little friends, very-long-range P-51 Mustang escort fighters, peel off and head for home - leaving the mighty bombers to fend for themselves. |
Attack on the Hiei by Robert Taylor. Marine Ace Captain Joe Foss leads a flight of eight F4F Wildcats of VMF121, based at Henderson Field, Guadalcanal, in a diversionary attack on the Imperial Japanese battlecruiser Hiei north of Savo Island, Friday November 13, 1942. In the distance TBF Avenger torpedo bombers of VMSB-131, having already attacked from the starboard side, head for base. That evening, after relentless air attack, the Hiei, disappeared beneath the sea- the first Japanese battleship sunk by American Forces in World War II |
Phantom Showtime by Robert Taylor Irish and I came into the break smoking at 500 knots, below the level of the flight deck. I could see thousands of men watching from the catwalks. I made a six-G break turn with 90 degree angle of bank. We landed after one of my best passes of the cruise. - Commander Randy Duke Cunningham. Back on deck, first to shake the hands of Lt.Randy Cunningham and his Radar Intercept Officer, Lt (jg) Willie Irish Driscoll, was ordnancement Willie White: Mr. Cunningham, we got our MiG today, didn't we! It was January 19, 1972 aboard the USS Constellation in the Gulf of Tonkin. As Cunningham shut down the engines of his Fighting Falcons F-4J Phantom, Task Force 77 Commander Admiral Cooper congratulated Cunningham and Driscoll on achieving their first of five air victories They went on to become the US Navys only Aces of the Vietnam war. |
Band of Brothers by Robert Taylor. The mighty Lancaster, the mainstay of RAF Bomber Command, crewed by volunteers from Britain, Australia, Canada, New Zealand, Rhodesia, South Africa, and many other nations opposed to Nazi rule, flew day and night sorties whenever there was a chance of reaching the target. Their unflinching courage, and selfless devotion to duty paved the way for the D-Day invasion, and the ultimate liberation of Nazi occupied Europe. Embellished with Goerings infamous quotation No Enemy Plane Will Fly Over The Reich Territory, S for Sugar took her bombs to Berlin, Hamburg, Schweinfurt, Bremen, Hanover, Wurzburg, Munich, Stuttgart, Frankfurt, Dusseldorf, and other prime targets, flying the second greatest number of operational sorties of any bomber in the Command. Time and again Sugar brought her crew home, often limping back riddled with flak and bullet holes, occasionally on three engines, and once all the way back from the German capital with a badly damaged wing following a mid-air collision over the target. Robert Taylors emotive painting shows S for Sugar on the morning of 27th April, 1944 after her 95th sortie - a raid on the ball-bearing factory at Schweinfurt. As the battle-scarred bomber taxies in at RAF Waddington, other 467 Squadron Lancasters follow, heading for their dispersal points. Already the weary crews begin their informal debriefing. By the wars end this trusty bomber had completed no fewer than 137 operations over enemy territory, bringing her crew home every time. Now magnificently restored to her former glory, S for Sugar resides in the RAF Museum at Hendon, providing a lasting tribute to the gallant men of RAF Bomber Command. The famous aircraft was typical of, and ultimately came to symbolise, the men and machines of Royal Air Force Bomber Command. Flying initially with 83 Squadron Pathfinder Force, then 467 Squadron RAAF, Avro Lancaster serial number R5868, call sign S for Sugar, took part in almost every major attack on Germany between the summer of 1942 and the end of hostilities. With the life expectancy of a new Lancaster being just a few months, it was a miracle she survived the war. |
Skipper Comes Home by Robert Taylor From the summer of 1942 until the end of hostilities, the USAAFs Eighth Air Force took the battle to enemy occupied Europe every single day that weather permitted. The largest air unit ever to go to war, the Eighth played a vital role in the ultimate defeat of Hitlers Germany. In the forefront of this awesome fighting force, the crews of the mighty B-17 Flying Fortress will be forever remembered. |
Spitfires Over St Michaels Mount by Robert Taylor. Robert has chosen to show a Spitfire in the Battle of Britain colours of No 41 Squadron for his romantic portrayal of a Spitfire over St Michaels Mount, just off the coast of Cornwall - where the southwest corner of the British Isles meets the mighty Atlantic. This famous and historic landmark dating back to the Iron Age is steeped in folklore and legend. The castle of St Michaels Mount, perched atop a great granite rock that rises majestically out of the sea in Mounts Bay, for centuries made a tempting site for fighting forces. Here Robert cleverly uses this historic fort to provide a symbolic backdrop to a wonderful study of one of the most beautiful aircraft ever built. |
Dambusters - The Impossible Mission by Robert Taylor. Dinghy Young, flying Lancaster AJ-A, heading through flak and machine gun fire towards the Mohne Dam at precisely 60ft, has just released his cylindrical, hydrostatically-triggered bouncing bomb - clearly visible against the huge splash created as it hits the water. The mighty Mohne Dam has but moments to live. |
Tommy Leader by Robert Taylor. The long balmy summer days of 1940 provided perfect flying weather for the vast armadas of Luftwaffe bombers and fighters wreaking havoc over the southern counties of England. As summer wore on the enemy stepped up their attacks on airfields, radar stations, and shipping in the Channel, leaving RAF Fighter Command stretched to near breaking point. The Battle of Britain was at its peak; air-fighting reached an unimaginable intensity. Throughout the months of July, August, and September the destiny of Britain and the free world hung in the balance, resting upon the shoulders of a tiny band of youthful fighter pilots. Desperately short of aircraft, spares, and supplies, and with its young flyers heavily outnumbered, this heroic band of young men flew and fought from dawn to dusk in defence of their homeland until they drove the Luftwaffe from their precious skies. Their courage, skill, determination and sacrifice will forever be remembered for the battle they won. They rescued Britain from Nazi invasion and turned the tide in the Second World War. Fondly remembered for its part in the victory is the remarkable Hawker Hurricane: This tough, stable fighter bore the brunt of all operational flying during the epic air battle, no fewer than four-fifths of all air victories being credited to the pilots of this outstanding fighter aircraft. Without it the battle would have been lost. In his unrivalled and inimitable style, Robert Taylor has miraculously captured the mood so typical of those long frantic days: Fresh from yet another hectic combat high over the south coast, Flight Lieutenant Tom Dalton-Morgan and his wingman, hurry their Hurricane Mkls of 43 Squadron back to base at Tangmere. More fuel, more ammunition, a sandwich and a cup of coffee, and with that familiar roar of Merlin engines they will be airborne again, ready to engage the next wave of Luftwaffe raiders. In a few fleeting weeks Tom Dalton-Morgan will be promoted to Squadron Commander. |
Horrido! by Robert Taylor. Of the many outstanding Luftwaffe fighter Wings of World War II, JG52 became the most successful. Many of the most famous Aces flew with this legendary wing, including one-time Squadron Commander Adolf Galland. JG-52 was home to the only fighter Aces in history to destroy more than 300 enemy aircraft - Erich Hartmann and Gerhard Barkhorn. The wings top ten scoring Aces amassed a staggering 2286 aerial victories and, by the end of the war, JG-52s pilots had recorded over 10,000 aerial victories; sixty-seven of their number were awarded the coveted Knights Cross or higher decorations, but the cost to the Wing was high: 678 of its aircrew perished in combat, while many others were taken prisoner following combat. Appropriately, Robert Taylor has chosen the Me109s of JG52 as his subject to represent the fighter pilots of the Luftwaffe in his tribute to these courageous flyers, with his breathtaking painting Horrido! With the traditional battle cry ringing in their ears, Squadron Commander Hptm Wolfgang Ewald leads pilots of I./JG52 into combat. Based at Coquelles/Calais in September 1940, the JG-52 Me109s hurtle down in a high-speed dive to engage the enemy during the ferociously fought Battle of Britain. Robert eloquently depicts these sleek and deadly fighters high over the Channel, glinting and menacing against an ominous backdrop of heavy cumulous clouds. |
Spitfires Over Darwin by Robert Taylor. Mark Vc tropicalized Spitfires of No 1 wing RAAF returning from a Scramble over the city of Darwin in early 1943. The bombing of Darwin by Japanese aircraft shortly before 10:00 am on the morning of February 19, 1942, brought the northern region of Australia directly into the war in the South Pacific. The surprise attack caught the Royal Australian Air Force with only a handful of Wirraway trainers and a squadron of Hudson twin-engine bombers to defend the Northern Territories, and a Japanese invasion looked a possibility. Fortunately the USAAF 49th Group were transiting through Darwin at the time, en route to Java and, flying their P-40E fighters, they were able to hold the line until 77 Squadron Kittyhawks arrived to defend the Top End in the latter part of 1942. At the time Australias only Spitfire squadrons were operating successfully in Europe as part of RAFs 11 Group, but Churchill, recognizing the Japanese threat to Australia, dispatched three Spitfire squadrons to Darwin in the Northern summer of 1942. Simultaneously a group of talented young Australian pilots returned home from service in North Africa and Malta to join the newly formed Wing. Number One Fighter Wing, known as the Churchill Wing, became operational in January 1943, scoring their first victory on February 6th. Shortly after on March 2nd, the Wings Spitfires led by the legendary Wing Commander Clive Caldwell came up against Zeros - the first time the two types had met over Australian skies. The Spitfire pilots immediately took the upper hand, bringing down two Zeros without loss - a portend of what was to come. These early encounters were the start of what became a highly successful air defence campaign, and by the end of the year the seasoned fighter pilots of No 1 Fighter Wing had gained total air superiority, and had claimed over 100 victories. The Japanese withdrew and the attacks of Darwin ceased. |
Stirlings Outward Bound by Robert Taylor. SOLD OUT (June 2009) |
Severn Trail by Robert Taylor. A magnificent study of a pair of C130 Hercules seen in tactical trail over the Severn Estuary, 25 miles west of R.A.F. Lyneham, headquarters base of RAF Support Command. |
Stirlings Outward Bound by Robert Taylor. The Short Stirling was the RAFs first four-engined bomber but was handicapped by a low operational ceiling. Thus, Stirling crews spent much of their time flying through the flak rather than above flak. However, the Stirling possessed a strong, highly complex design that gained it a reputation as a pilots aircraft to fly; it was relatively agile for a big bomber. While flying the Stirling, Mahaddie had been attacked by a Ju88 nightfighter. After evading the attack, he managed to bring the aircraft home and subsequent inspection of the aircraft revealed 174 cannon shell holes. Mahaddie appropriately named that particular aircraft C for Colander. These Stirlings were part of No.7 Sqn RAF Pathfinders, based at RAF Oakington in Cambridgeshire throughout the war. |
Fighter General by Robert Taylor. Having completed a successful bomber interception high above Salzburg, the Me262s of JV44 led by Adolf Galland, are returning towards Munich-Riem at full throttle, hugging the deck to avoid the attentions of USAAF escort fighters. Below the crew of a B-24, brought down in the air-fighting, has survived a dramatic crash-landing amid spectacular surroundings. |
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