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Aviation Art Prints  Aviation Artists  Gerald Coulson |
[UP] - Ivan Berryman - Robert Taylor - Stan Stokes - Nicolas Trudgian - David Pentland - Philip West - Gerald Coulson - Graeme Lothian - Anthony Saunders - Keith Woodock - Robert Tomlin - Michael Rondot - Brian Bateman - Barry Price - Geoff Lea - Keith Aspinall - John Young - M A Kinnear - Michael Turner - Robin Smith - More Artists - Artist Lists by Title |
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| Gerald Coulson |
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Gerald Coulson has been painting professionally for over 47 years and has a reputation that is second to none. Entirely self taught, he developed his technique to such a high standard that his work was published as fine art prints, enabling him to begin a full time painting career in 1969. Since that time his work, covering many different subjects, has been published and marketed worldwide as both open and limited edition prints. Gerald has had many one-man shows both in the UK and the USA and his work has been extensively exhibited throughout the world. A recent one man show of his in the UK attracted more than 3000 people in two days. The Fine Art Trade Guild have placed him in the top ten best selling artists no less than fifteen times - three times at number one. Coulson's passion for aircraft stems from childhood. This passion led to an apprenticeship as an aircraft engineer after which he served in the RAF as a technician and with British Airways as an engineer at Heathrow. His knowledge of aircraft engineering, combined with his drawing ability, led to him becoming a Technical Illustrator of service manuals for Civil and Military aircraft. These experiences and technical background have allowed him an insight and intimate knowledge of the aircraft he paints. Along with a unique ability to capture these aircraft on canvas this naturally led to a painting career which he has developed to successfully cover a wide variety of subjects. Following a trip to the 1991 British Grand Prix his interest in Motor racing was fuelled. His ability to capture the technical detail and a talent for painting subjects at speed meant that this was a perfect natural progression alongside his aviation work and he is now also firmly established as one of the worlds leading motor racing artists. A Vice President and founder member of the Guild of Aviation Artists he is a four times winner of the Flight International Trophy for outstanding aviation painting. He qualified for his pilots licence in 1960 and is still actively flying today - mostly vintage aircraft, and can often be seen buzzing over the Fens of Cambridgeshire in a Tiger Moth. Whatever the subject he paints, whether aviation, landscape or portrait, his unique ability to capture the realism and 'mood'of the scene is unsurpassed, making him one of the most widely collected and highly regarded artists in the world today. Between 2003 and 2008 Cranston Fine Arts purchased the remaining back catalogue prints from Gerald Coulson's previous publishers. His early prints are now very sought after and many items which we purchased are now at very low stock levels with many sold out already. At the time of writing, many are down to the last 20 or even as low as the last few prints. We only sell direct to our customers and not through other outlets, which means nearly all these prints are exclusively available direct from us. Sadly Gerald passed away on the 6th of February 2021. |
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| Gerald Coulson Aviation Art Prints, Paintings and Drawings Aviation Art |
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| Text for the above items : |
Happy Days by Gerald Coulson. Few pilots can resist the temptation for low flying should the opportunity present itself. Out of sight of the spoil-sport eyes of the authority, the rules will be broken, the artist would indulge in this chancy but undeniable thrill. A great sensation from any cockpit but for the artist nothing can compare with the effect from behind a pair of goggles to the accompaniment of humming wires around the cockpit of a Tiger Moth. |
In the Sunlit Silence by Gerald Coulson. Spitfire Mk1As of 92 Squadron. |
Stearman PT17 by Gerald Coulson. The Boeing Stearman PT 17 is a picture painted by Gerald Coulson essentially for the American Market and as a little self-indulgence. The U.S. equivalent to the Tiger Moth, it was typically larger and more powerful, being based around a comparatively large radial engine. Tough and easy to fly the Stearman still exists in large quantities and is used by fun fliers on both sides of the Atlantic, it being an extremely agile aerobatics machine capable of exciting continuous manoeuvres pulled along by its tremendous power. The sound of the Stearman, like the Harvard, is unmistakable with its propeller tips going supersonic at maximum revs. As trainers they were painted in the most attractive colours and against the typical Coulson sky this machine makes a brilliant impact and striking print as U.S. Army trainer 530 buzzes angrily through the sunlit skies probably taking yet another potential World War II ace on his first solo flight. |
Dawn Sortie by Gerald Coulson. With its sleek, graceful design, instantly recognisable by its thin, aerodynamically advanced elliptical wings, the Supermarine Spitfire was the creation of R. J. Mitchell, an aeronautical creative genius. His fighter was to become not only the most important Allied aircraft of World War II, but the most famous British fighter in history. Mitchells design for the Spitfire was so fine that everyone who ever saw it, flew it, or fought in it was captivated for eternity. When American Eagle Squadron ace Jim Goodson transferred from Spitfires to fly his 4th Fighter Group P-47 Thunderbolt, he said it was like moving from a sports car to a truck. I fell in love with her the moment I was introduced. I was captivated by her sheer beauty; she was slimly built with a beautifully proportioned body and graceful curves just where they sohuld be; so said Lord Balfour, Britains under Secreatry of State for War in 1938, not of his wife but of the Spitfire. A sentiment echoed by generations of aviators and enthusiasts ever since. In the hands of an experienced pilot it was nearly invincible, and even legendary Luftwaffe leader Adolf Galland, when asked by Goering what he needed to overcome the RAF, replied: Give me a squadron of Spitfires!. Gerald Coulsons majestic painting captures a pair of Spitfire Mk1s at dawn high above the clouds over southern England in late 1940. An iconic tribute from the artist to the greatest fighter aircraft of all time. |
The Red Arrows by Gerald Coulson. Last 4 copies available of this print which is sold out at the publisher. |
Merlins Thunder by Gerald Coulson. The Avro Lancaster bomber of Bomber Command flies low over occupied Europe at speed thanks to the Merlin engines. |
Long Night Ahead by Gerald Coulson. A Lancaster heads out to its target as the sun sets. |
Singing Wires by Gerald Coulson. Gerald Coulson said of this painting : How very fortunate to be in a position to paint aviation as a result of direct experience. This aeroplane has been featured in many of my paintings. The fact that I have flown this machine for years and still do probably has something to do with it. It is, of course, the de Havilland Tiger Moth, one of the greatest aeroplanes in the world. Not one of the most comfortable, nor noted for its crisp handling qualities. It is, nevertheless, a delight in which to be aloft over a sun-dappled landscape. With the roar of the Gypsy engine, the slipstream singing through the bracing wires and the sun flashing off silvered wing, what more inspiration does an aviation artist require. |
Home Run by Gerald Coulson. It is June 1944 and, as dawn begins to break over East Anglia, Mosquito B Mk XVI bombers of the Light Night Striking Force return from a raid over Berlin. The sun is just beginning to rise and the peaceful tranquility is shattered as these majestic aircraft power in from the North Sea, flying at low level over the Norfolk marshes. |
Alone at Dawn by Gerald Coulson. Heavily damaged by flak and with one engine out, a Lancaster slowly makes its way home far behind the main force. |
British Aerospace Concorde by Gerald Coulson. No text for this item |
First Flight by Gerald Coulson. On July 21st 1951 WB188, the Hawker PIO67 Prototype, made its first flight from Boscombe Down, flown by Hawker Chief Test Pilot and WWII fighter ace, Squadron leader Neville Duke DSO, OBE, DFC**, AFC. This historic aircraft went on to become the Hunter, one of Britains most successful fighter aircraft. Created under the guiding hand of famed Hawker designer Sydney Camm, the PI067 Hunter became the RAFs standard single seat fighter from 1954 until 1960. It was also the first British produced swept-wing fighter to serve in large numbers in the RAF. The maiden flight was successful with only minor problems. Due to the undercarriage light staying on Neville Duke took the decision not to exceed 19,000 ft or 350 knots. The P1067 was Hawkers first application of powered controls but British experience of this was very limited at that time. Consequently the elevator hydraulic power boost was disconnected but the ailerons remained in use.This meant that the pilot struggled to maintain control especially on landing. Neville Duke has fond memories of the aircraft, which has become synonymous with his name: Of the multitude of designs from the board of Sydney Camm over a period of 43 years the Hunter is arguably the most graceful of all. The saying if it looks right it will fly right applies to the Hunter and can be illustrated by the fact that within some ten test flights the aircraft was flying in excess of 700mph, as demonstrated at the SBAC Farnborough Show shortly after the first flight. Sydney Camm proclaimed it to be his most beautiful design and I am not alone in claiming it to be a pilots aeroplane, a view expressed amongst the fighter pilots of the 21 nations who flew this aircraft in operational service up until 1995. Our aim was to give the pilots a fighter without limitations and this unique clearance was obtained. Long may we see them in the air as a tribute to the genius of Sydney Camm and his design team. Some 2000 Hunters were produced in the UK, Holland and Belgium and many more refurbished for 14 nations and returned to service through-out the world. The Hunter continues to serve in non-operational roles in various services and establishments as well as in private hands. WB 188 now resides in the Tangmere Military Aviation Museum, West Sussex. This superb release by one of the masters of aviation art, Gerald Coulson, depicts the prototype on its historic first ever flight from Boscombe Down. |
Battle of Britain, Manston, 12th August 1940 by Gerald Coulson. A surprise dive bombing attack at 12.45pm as Spitfires of 65 squadron were taking off. 148 bombs were dropped on the airfield and hangars. The entire squadron got airborne with one exception, its engine was stopped by the blast from one of the bombs. |
Moonlight Hunter by Gerald Coulson. No text for this item |
Striking Back by Gerald Coulson. Conceived initially by Hawkers (of Hurricane fame) as a fast powerful fighter, the Typhoons performance in this role proved to be disappointing in the respect of rate of climb, and at height. They did however eventually come into their own as a superlative very fast ground attack aircraft, and combined with the skill of their pilots became one of the most potent weapons of World War Two. This painting conveys something of the drama of a pair of typhoons at take-off, each loaded with two 1000lb bombs. Normandy dust contributes to the backdrop. |
Croydon Departure by Gerald Coulson. During the early 1930s, Imperial Airways of London introduced to its European and Eastern routes the HP42, an enormous four-engined Handley Page biplane carrying up to 38 passengers at a sedate 100mph. For the first time air travellers could enjoy Pullman comfort, the wicker-work chairs finally being dispensed with. Eight of these outstanding aircraft were built and operated from 1931 to the start of the Second World War. The European services were flown by the four known as the Heracles class with fleet names Horatius, Hengist and Helena. The Hannibal class with Horsa, Hanno and Hadrian serviced the Empire routes. They accumulated over 10 million miles of peacetime operations wthout harm to a single passenger or crew member. Safety became their byword. Depicted here is Horatius, bound for Paris from Croydon. What a sight to behold, truly a galleon of the clouds. |
High Spirits 1940 by Gerald Coulson. The new boy follows the more experienced squadron pilot, learning the manoeuvres which will be so important in the months to come. The two Spitfires fly over the southern coast which will soon become the air battlefield on which the face the German bomber and fighter squadrons during the Battle of Britain. |
Into Attack by Gerald Coulson. Flight Lieutenant Mick Martin readies his crew to release their bouncing bomb as he makes his run into the Mohne Dam. Flanking him is the Lancaster of Wing Commander Guy Gibson, using his aircraft to draw flak from the gunners along the dam. |
Rhapsody in Blue by Gerald Coulson The 70th Anniversary of the Spitfire 1936-2006. Geralds majestic study of Spitfire prototype K5054, resplendent in its new all-blue paint scheme, is seen banking high above the clouds during an early test flight in March 1936. As the little fighter lifted off Eastleigh airfield into the early spring sunshine, Summers knew immediately that Supermarine had created a thoroughbred. Powered by a 900hp Rolls Royce Merlin engine, the prototype at once displayed superb handling qualities and performance, achieving almost 350mph in level flight. Thus was born the Spitfire, the most famous British aircraft of all time. The Spitfire was to become the most important single type Allied aircraft of World War Two, was built in greater numbers than any other Allied fighter, and remianed in production throughout the war. Its superb design allowed the airframe to be continually developed and by the end of the war, now with twice the engine power, Mitchells little fighter had won its place in history. Adored by its pilots, in experienced hands the Spitfire was invincible in close air-to-air combat. |
Country Life 43 by Gerald Coulson. Its a cold, misty winters day early in 1943 and a pair of Mosquitoes B. Mk IV return from a low level precision bombing raid over Occupied Europe. As the sun rises over the East Anglian countryside the unmistakable sound of Merlin Engines shatter the silence as these magnificent aircraft emerge from the mist skimming across the landscape, heading back to their Norfolk base. Gerald Coulson has captured the scene perfectly, once again proving that he is a true Master in his field, combining the technical accuracy of this powerful aircraft with his ability to capture the mood and feeling of a cold winter landscape. |
Dambusters - The Morning After by Gerald Coulson. Just after midnight, on the night of 16/17 May 1943, Lancaster crews of 617 Squadron undertook what was to become the most remarkable and probably best remembered air raid of the Second World War. Flying all the way from their base in England in darkness at tree-top height, with just the light of the moon to guide them, the specially selected crews made a surprise attack on the mighty hydro-electric dams in the Ruhr. Flying specially modified aircraft, each Lancaster was equipped with the unique cylindrical hydro-statically detonated bomb as conceived by Barnes Wallis. This huge device when released from the aircraft flying at exactly 230mph and at the precise height of 60 ft spun onto the surface of the water. To achieve the critical height above the water at moment of release, two beams of light, from front and aft, were projected from the aircraft on to the surface of the water, creating a neat figure-of-eight on the surface below. As each bomb bounced across the water towards its target, it struck the dam wall, sank to the pre-set depth, and exploded. The results were devastating. Led by the mercurial Squadron Leader Guy Gibson, ignoring furious defensive gunfire while flying perilously close to the water, each crew made their precision run at the target, released their deadly bomb, and those lucky enough to survive the barrage of tracer shells and anti-aircraft fire, escaped into the darkness. Not all of them did. In the space of those few, highly charged minutes, the Lancaster crews of 617 Squadron wrote their names into history. Sixty-four years on, the memory of their exploits and the courage displayed by the crews on that historic raid, together with the genius of Bames Wallis, remain undimmed. Gerald Coulsons painting shows a single Lancaster of 617 Squadron, one of the lucky ones having made it safely back to base, proudly standing alone as if in tribute to those that didn't return. |
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