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Aviation Art Prints  Aviation Artists  Nicolas Trudgian |
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| Nicolas Trudgian |
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Cranston Fine Arts have now taken over all remaining stocks of Nicolas Trudgian prints from his previous publishers. We have made available a great many prints that had not been seen for many years, and have uncovered some rarities which lay unnoticed during this transition. Having graduated from art college, Nicolas Trudgian spent many years as a professional illustrator before turning to a career in fine art painting. His crisp style of realism, attention to detail, compositional skills and bright use of colours, immediately found favour with collectors and demand for his original work soared on both sides of the Atlantic. Today, more than a decade after becoming a fine art painter, Nicolas Trudgian is firmly established within a tiny, elite group of aviation artists whose works are genuinely collected world-wide. When he paints an aircraft you can be sure he has researched it in every detail and when he puts it over a particular airfield, the chances are he has paid it a recent visit. Even when he paints a sunset over a tropical island, or mist hanging over a valley in China, most probably he has seen it with his own eyes. Nick was born and raised in the seafaring city of Plymouth, the port from which the Pilgrim Fathers set sail in 1620, and where Sir Francis Drake played bowls while awaiting the Spanish Armada. Growing up in a house close to the railway station within a busy military city, the harbour always teeming with naval vessels and the skies above resonating with the sounds of naval aircraft, it was not at all surprising the young Nick became fascinated with trains, boats and aircraft. It was from his father, himself a talented artist, that Nick acquired his love of drawing and surrounded by so much that was inspiring, there was never a shortage of ideas for pictures. His talent began to show at an early age and although he did well enough at school, he always spent a disproportionate amount of time drawing. People talked about him becoming a Naval officer or an architect but in 1975 Nick's mind was made up. When he told his careers teacher he wanted to go to art school the man said, 'Now come on, what do you really want to do? After leaving school Nick began a one-year foundation course at the Plymouth College of Art. Now armed with an impressive portfolio containing paintings of jet aircraft, trains, even wildlife, he was immediately accepted at every college he applied to join. He chose a course at the Falmouth College of Art in Cornwall specialising in technical illustration and paintings of machines and vehicles for industry. It was perfect for Nick, and he was to become one of the star pupils. One of the lecturers commented at the time: Every college needs someone with a talent like Nick to raise the standards sky high; he carried all the other students along with him, and created an effect which will last for years to come. Two weeks after leaving art college Nick blew every penny he had on a trip to South Africa to ride the great steam trains across the desert, sketching them at every opportunity. Returning to England, in best traditions of all young artists, he struggled to make a living. Paintings by an unknown artist didn't fetch much despite the painstaking effort and time Nick put into each work, so when the college he had recently left offered him a job as a lecturer, he jumped at the chance. The money was good and he discovered that he really enjoyed teaching. Throughout the 1970s Nick was much involved with a railway preservation society near Plymouth and it was through the railway society that he had his first pictures reproduced as prints. But Nick felt he needed to advance his career and in summer 1985 Nick moved away from Cornwall to join an energetic new design studio in Wiltshire. Here he painted detailed artwork for many major companies including Rolls Royce, General Motors, Volvo Trucks, Alfa Romeo and, to his delight, the aviation and defence industries. He remembers the job as exciting though stressful, often requiring him to work right through the night to meet a client's deadline. Here he learned to be disciplined and fast. Towards the end of the 1980's Nick had the chance to work for the Military Gallery. This was the break that for years he had been striving towards and with typical enthusiasm, flung himself into his new role. After completing a series of aviation posters, including a gigantic painting to commemorate the seventy-fifth anniversary of the Royal Air Force, Nick's first aviation scene to be published as a limited edition was launched by the Military Gallery in 1991. Despite the fact he was unknown in the field, it was an immediate success. Over the past decade Nick has earned a special reputation for giving those who love his work much more than just aircraft in his paintings. He goes to enormous lengths with his backgrounds, filling them with interesting and accurate detail, all designed to help give the aircraft in his paintings a tremendous sense of location and purpose. His landscapes are quite breathtaking and his buildings demonstrate an uncanny knowledge of perspective but it is the hardware in his paintings which are most striking. Whether it is an aircraft, tank, petrol bowser, or tractor, Nick brings it to life with all the inordinate skill of a truly accomplished fine art painter. A prodigious researcher, Nick travels extensively in his constant quest for information and fresh ideas. He has visited India, China, South Africa, South America, the Caribbean and travels regularly to the United States and Canada. He likes nothing better than to be out and about with sketchbook at the ready and if there is an old steam train in the vicinity, well that's a bonus! |
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P-38 Lightning by Nicolas Trudgian. A P-38 Lightning from the 20th Fighter Group based at Kings Cliffe, England, during the summer of 1944. The Lightning, with its radical twin-engine, twin boom design, dubbed by the Germans the fork-tailed devil, was one of the toughest, hard-hitting and most versatile fighters of its day. |
Green Heart Warriors by Nicolas Trudgian. (B) In the summer of 1940, as a 28 year old captain, Hannes Trautloft took command of JG 54. During the next three years this extraordinary fighter leader shaped the unit into one of the most successful combat fighter wings of World War II. The Green Heart emblem of his home town Thuringischen, in the heart of Germany, became the Groups symbol and the fighter pilots famous as Trautlofts Green Heart Warriors. They carried their reputation throughout almost every European theatre. After campaigning in the Balkans, the unit moved to the Russian Front, where it flew Me109s and Fw190s in the heavy fighting of the Northern Region. By the war-end no fewer than twenty Green Heart Aces had achieved more than 100 air victories, its pilots collecting 58 Knights Cross awards. Nicolas Trudgian portrays a typical scene on the Eastern Front in 1943: IL 2 Stormoviks have attacked a German armoured division who have called for air support. JG 54 Green Hearts have quickly scrambled to the scene and have broken up the attack, downing several Russian aircraft during the encounter. In the foreground, Hannes Trautlofts Fw190 hurtles out of the canvas towards us, as the Ace glances over his shoulder to see an unfortunate IL-2 moments before hitting the snow-covered landscape a few feet below. Behind, two more Fw190s give support while in the background the low-level aerial contest is furiously fought. The drama unfolds in an exquisitely painted landscape, the northern morning sun casting long shadows across the snow drifts. |
Desert Victory by Nicolas Trudgian. Nicolas Trudgians painting Desert Victory recreates all the atmosphere of the North African desert war with a stunning portrayal of the Me109s of 3./JG-27. The wing is depicted being led by Staffelkapitan Gerhard Homuth as they escort Afrikakorps armor heading for the front line at Gazala, Libya, on February 21, 1942. Flying alongside Homuth, the great Luftwaffe Ace Joachim Marseille scored his 49th and 50th victories on this day, earning his Knights Cross. Below, the crew of an SdKfz 10 light half-track stop to investigate a crashed P-40 Kittyhawk belonging to No 112 Squadron RAF, brought down during an earlier contest. |
Typhoon Country by Nicolas Trudgian. A Typhoon of 181 Squadron flown by Flt Lt Roy Crane is shown attacking a German armoured column in th Falaise Gap in August 1944. Typhoons played a major role in destroying a large number of German armour and disrupting German movements during the battle of Falaise Gap. |
Gunfight Over Rabaul by Nicolas Trudgian Nicolas Trudgians action packed painting shows an attack on Rabaul during the fall of 1943. B-24 Liberators of the Army Air Force pound the harbor and docks below whilst the Marines Corps pilots of VMF 214 - the famous Black Sheep Squadron - provide top cover in their F4U Corsairs. A fierce dog-fight has developed between the F4U pilots and Japanese Zeros. One Zero, already smoking, begins to roll out of control, while the two F4U pilots turn their attentions on to a second. Below further dog-fights are in progress, the air filled with aerial combat. |
Sinking the Tirpitz by Nicolas Trudgian. Throughout four long years of war Allied air and naval forces endeavoured to sink the German battleship Tirpitz. The mighty warship was a constant threat to Allied shipping, even while lying at anchor in her lair among the fjords of Norway. Her very presence demanded constant attention and hampered all naval decision making till she was sunk at the end of 1944. Without so much as weighing anchor, Tirpitz could disrupt the north Atlantic convoys by tying up urgently needed escort vessels in readiness in case she made a run for the open sea. Churchill was exasperated and called upon RAF Bomber Command to make a decisive bid to finish her off once and for all. On November 12, 1944 Lancasters of Number 9 and 617 Squadrons set forth towards the Norwegian fjord of Tromso where Tirpitz lay at anchor surrounded by a web of protective submarine nets. Armed with the 12,000lb Tallboy bomb devised by Barnes Wallis, the Lancaster crews arrived in clear skies overhead the fjord to see the great battleship sharply contrasted against the still deep waters some 10,000ft below. As flak from the ships heavy armament burst all around them, one by one the 31 Lancasters rolled in for the attack. In a matter of three minutes the devastating aerial bombardment was completed, and eleven minutes later, her port side ripped open, the Tirpitz capsized and sank. The Coup de Grace was complete. Published 2000. |
V.E. Day - Heading Home by Nicolas Trudgian. Only 50 copies available. |
Their Finest Hour by Nicolas Trudgian. Situated on the south eastern tip of Kent, RAF Hawkinge was the most forward airfield in Fighter Command. It was not surprising therefore that when Reichmarshal Goering began his fierce attacks on airfields - part of his softening up campaign in preparation for Hitlers Adler Tag (Eagle Day) - Hawkinge would be among the first in his sights. The Luftwaffe were putting up massive raids - over 1700 aircraft crossed the coast on August 16th - and RAF bases in the south-east were taking a pounding. Hawkinge, a satellite of Biggin Hill sector station, and vital to front line defences, lay right in the path of the raiding Luftwaffe hordes. When on August 12th it was bombed for the first time, its effect was only to harden the resolve of its pilots and groundstaff. MkI Spitfires of No.610 County of Chester Squadron are seen scrambling out of RAF Hawkinge in late August 1940. refuelled and re-armed, with scarlet patches covering the gunports, all serviceable aircraft roar off the grass strip and head back to the fray. With aerial battles raging all the way from 2000 to 20,000 feet, within minutes they will be back in the action. Ground crews in the foreground work frantically to get more Spitfires airworthy. In the background Hurricanes from No.32 Squadron are at readiness, and will be called into action as the primitive radar picks up the next incoming raid. |
Lightning Encounter by Nicolas Trudgian. P-38 Lightnings launching a surprise attack on a German freight train as it winds its way through the hills of Northern France towards the battle front, shortly before D-Day, 1944. |
Checkertail Clan by Nicolas Trudgian With their brightly coloured checkertail tails there was no mistaking the P.51 Mustangs of the 325th Fighter Group. Escorting B-24s over Austria in August 1944, tangled with a group of Fw190 fighters. The ensuing dogfight spiraled down below the mountain peaks as Herky Green led the Checkertails in a low-level chase. Herky nails one Fw190. Behind him his pilots will take out the two Fw190. When all is done this day the 325th will be credited with 15 enemy fighters destroyed. |
Breaching the Dams by Nicolas Trudgian. The Mohne Dam gives way as David Maltbys Lancaster releases its bomb to deliver the coup de grace on the night of 16th / 17th May 1943. Guy Gibson, nearest, and Mick Martin, having already dropped their bombs, make dummy runs with lights on to draw enemy fire. |
Desert Sharks and Eagles by Nicolas Trudgian. The air war fought in the skies above the inhospitable wastelands of the North African desert were among the most hotly contested of the war. The outcome of the bitter land war raging below largely depended upon who controlled the air space above, and both sides knew it. JG-27, having cut its teeth in the battles of France and Britain, was the first Luftwaffe unit to arrive in North Africa. Commanded by the mercurial Eduard Neumann, its Me109s were superior to the Hurricanes and P-40 Kittyhawks flown by the RAF pilots and, without the restriction of close escort duties dictated on the Western Front, the JG-27 pilots roamed the desert skies, closing in combat with the British fighters at every opportunity. The North African air campaign spawned many fighter aces, including Hans-Joachim Marseille who claimed more than 150 victories in his short career - more than any other Luftwaffe ace flying against RAF pilots. The scale of the desert air war is highlighted by raw statistics: 1400 British aircraft lost; over 1200 Luftwaffe destroyed. A dog-fight between Me109s from JG-27 and P-40 Kittyhawks of the RAFs 112 Squadron, led by Killer Caldwell, and later Billy Drake, 112 Squadron were in constant combat with Edu Neumanns fighters as they jousted for air supremacy above Rommels advancing Afrika Korps tanks. Below them, the desolate beauty of the Libyan desert stretches as far as the eye can see. Published 2001. Signed by two RAF and two Luftwaffe pilots (both of whom did not sign many art prints) who fought in the desert campaign, sadly all of whom have since passed away. This is a sought after art print and well worth adding to your collection. |
Thundering Home by Nicolas Trudgian. (B) When the U.S. Air Forces arrived in Europe in 1942 it was the beginning of a three year aerial campaign, the scale of which had never been seen before, nor since. The 8th, 9th, 12th and 15th Air Forces constituted the mightiest aerial armada in history. With outstanding leadership and sustained courage, they blazed a trail of glory across the skies of war-torn Europe that today is legend. Commemorating the 50th Anniversary of the beginning of the U.S. Air Forces campaign in Europe, the talented aviation artist Nicolas Trudgian has painted a spectacular canvas, bringing to life the men and machines of that epoc-making era, half a century ago. Set in a dramatic and powerful evening sky, B-17 Fortresses come thundering home after a mid over enemy territory. Joining the formation are a pair of B-24 Liberators which have become separated from their own group, and P-51 fighters fly in close escort for the perilous journey home. Aboard the aircraft, pilots and gunners scan the horizon for enemy fighters. Flight engineers are busy coaxing their ships along, some having to deal with overheating engines, damaged fuel lines, leaking hydraulics and other inflicted damage. Some have injured on board. Glistening in the strong evening sunlight the lead aircraft fills the canvas. Clearly visible are the pilot and upper turret gunner, and all the fine detail of this legendary warbird as it thunders through the sky. Below, reflecting the evening glow, is the forbidding North Sea, providing a constant reminder that the dangers of the mission are not yet ever. |
Tiger Fire by Nicolas Trudgian. In early 1941, many months before Pearl Harbor, an irrepressible bunch of American fighter pilots, together with 200 ground crew, came together and stood alone against the might of the Imperial Japanese Air Force. Under the indomitable command of General Claire Chennault, their task was to keep the vital road link open between the port of Rangoon and the city of Kunming in South West China. A treacherous unpaved track, hacked through mountain terrain and known as the infamous Burma Road, was the only lifeline for supplies into China from the outside world. With the Japanese hell-bent on its destruction, the Flying Tigers were all that stood between defeat and survival. With little support from home, and almost without replacement aircraft or spares, the P-40 Tomahawk pilots of the American Volunteer Group - the AVG - became the scourge of the Japanese Air Force and heroes to the people of China. In a six month period of combat, with no more than 50 or 60 serviceable aircraft at anyone time, and invariably heavily outnumbered in the air, they destroyed some 300 Japanese airplanes, damaging and destroying another 300, and causing incalculable damage to Japanese ground forces. During its brief existence this remarkable group became one of the most successful and famous fighter units of all time. Their short but glorious private war came to an end when on July 4th, 1942 the AVG was absorbed into the USAAF and Chennaults Flying Tigers passed into aviation folklore. Motivated by the legend of the Flying Tigers, Nicolas Trudgian has painted one of his finest pictures. Dominating the foreground is a stunning view of Chuck Olders P-40 - one of the 3rd Pursuit Squadrons, known as Hells Angels - in hot pursuit of a bunch of Zero fighters up ahead. Close by to his left another Flying Tiger finishes off a Zero, already on its way down. Below the pastoral scene is caught unawares by the sudden approach of fighters, as the fast-moving dogfight hurtles across the landscape. |
Patrolling the Beaches by Nicolas Trudgian. Issued to commemorate the 55th anniversary of D-Day, this print captures the moment as 401 Squadron Spitfires cross the beachhead for their fourth, and last, patrol on D-Day itself - June 6. |
Victory Over the Rhine by Nicolas Trudgian. Of the many famous combat aircraft to serve their respective countries in the Second World War, two perhaps more than any others, created huge impact and consternation upon seasoned opposing pilots when they first appeared on the battlefront - the Supermarine Spitfire and the Messerschmitt Me262. Both in their day represented enormous advances in aircraft design and power, and both have continued to capture the imagination of aviation enthusiasts ever since. As the war progressed the Spitfire continually upgraded its performance and by the time the Luftwaffes new Me262 turbo-jet arrived on the scene the sleek new Mk XIV, powered by the awesome Griffon engine, was among the fastest piston-engine fighters of the war. The stage was set for a clash between the most powerful piston-engine fighter and the worlds first turbojet, and it was not long before the pilots of these two most advanced combat aircraft met in the hostile skies over western Europe. Ill-advisedly employed by Hitler as the wonder-bomber, the Me262 was initially issued to Bomber Units, one of which being KG51. Tasked with undertaking lightning fast raids upon advancing Allied ground forces, the shark-like jets employed their spectacular speed advantage to surprise, strike and escape. Not to be outdone, the RAF responded with their supremely fast Spitfire XIVs which had already proven themselves highly effective against Germanys V1 flying bombs. In his painting, Nick Trudgian recreates a typical moment: Spitfire Mk XIVs of 41 Squadron have intercepted and damaged a Me262 of KG51 and, with smoke and debris pouring from its damaged Jumo 004 Turbojet, the stricken Luftwaffe jet will be lucky to make it home. A dramatic painting and a fine tribute to the RAFs contribution to the Victory in Europe. |
Kiwi Strike by Nicolas Trudgian. A dramatic low-level attack on a Japanese base near Rabaul is in progress by F-4U Corsairs of 16 Squadron, RNZAF. Taking the lead is Bryan Cox, as the Corsairs leave a trail of smoke and debris in their wake. Water vapor is squeezed out of the humid atmosphere as Coxs wingman banks sharply to avoid groundfire. The Kiwi Corsairs buccaneered their way through the intensly fought campaigns in the Solomons and Guadalcanal. |
Vulcan Thunder by Nicolas Trudgian. An Avro Vulcan BMk2 of No. 617 (Dambuster) Squadron thunders into the air in a scene from the early 1960s. Painted in all-white anti-nuclear flash markings these Vulcans formed the mainstay of the R.A.F. nuclear strike force. |
Jet Interceptor by Nicolas Trudgian. Herbert Ihlefelds personal He162 White 23 - the revolutionary Heinkel Peoples Fighter - on patrol with JG1.This aircraft was captured intact and is today preserved in the National Air & Space Museum in Washington DC. Published 2000. |
Scramble for the Marianas by Nicolas Trudgian. On June 19, 1944 American Navy pilots ripped into wave after wave of enemy aircraft. As each new onslaught arrived there were more fighters there to meet them. Other squadrons joined in the melee and the radio circuits crackled with shouts and cries of encouragement. Hell this is like an old time turkey shoot! yelled one pilot - and thus the battle became known as the Great Marianas Turkey Shoot. By the late afternoon two Japanese carriers had been sunk by submarines, and an incredible 373 enemy planes shot down. The U.S. Navy pilots had won an historic victory. Seen hurtling off the deck of the U.S.S. Lexington is the F6F Hellcat of Lt. Alex Vraciu of Fighting Squadron VF-16. With 12 victories already to his credit, Vraciu would add a further 6 to his tally in the space of just 8 minutes on that momentous day. |
Return of the Hunters by Nicolas Trudgian. Messerschmitt Me262s of JG7 race back to their base at Brandenburg after intercepting a USAAF bomber raid on Munich, and Luftwaffe air bases in the area. Below them a B-26 has crash-landed in the fields still covered with a sprinkling of late winter snow. In the distance the afternoon sun glistens on the Bavarian Alpine mountains. < |
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