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Aviation Art Prints  Aviation Artists  Robert Taylor |
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| Robert Taylor |
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The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession. Sadly he passed away in January 2024.
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Hornchurch Scramble by Robert Taylor. On August 12th, 1940 the Luftwaffe turned their full attention to the RAF's forward fighter bases and radar stations with the intent to obliterate them once and for all. The outcome of the Battle of Britain hung in the balance. It was late in the afternoon of Sunday, 18 August 1940. The previous week had seen the hardest days of fighting in the Battle of Britain as the young pilots of the RAF Fighter Command had engaged in deadly duels with the Luftwaffe. Bystanders gazed cautiously upwards at the weaving contrails in the clear blue skies over southern England as they anxiously awaited the outcome. For just a moment, all was at peace: A gentle breeze floated across the airfield at RAF Hornchurch as the exhausted young pilots of 54 Squadron could rest for a few brief minutes and reflect on their own previous two encounters with the enemy that day. The Luftwaffe had thrown everything at them in the past few days, but today had been the toughest of them all. And then the calm was shattered by the shrill tones of the alarm, the Luftwaffe had launched another huge raid of over 300 aircraft across the Channel, and it looked like Hornchurch was the target. Hornchurch Scramble, portrays the moment as 54 Squadron's commanding officer, Squadron Leader James Leathart, taxis out at Hornchurch to prepare for take-off. Quickly following, the aircraft of New Zealander Colin Gray is guided out from dispersal by his ground crew. Gray would claim 3 Bf110s in the encounter and would eventually become the top scoring New Zealand Ace of the war. |
Sea Fury by Robert Taylor Flying an 805 Squadron Sea Fury from H.M.S. Ocean in Korean waters, 1952, Hoagy Carmichael became the first piston engine pilot to destroy a jet aircraft when he downed a North Korean MiG. |
They Landed by Moonlight by Robert Taylor. To fly a small aircraft at the dead of night, without radio communication or navigational assistance, deep into enemy-occupied territory, was an extremely perilous task. To then land on an unlit remote field, deliver secret agents, collect Resistance leaders, or downed airmen and fly them home without attracting the attentions of enemy night fighters, was appallingly risky work. Yet throughout World War II the prime function of the pilots of the RAFs Special Duties Squadrons was to fly time and again into occupied France, in utmost secrecy, under the cover of darkness. It was acutely dangerous work requiring inordinate flying and navigational skills, and supreme courage. Most suited to these clandestine operations was the rugged Westland Lysander, operations being conducted, weather permitting, during the moons fullest phase. Guided only by torch light, the pilot made a hazardous night landing into an isolated field at a pre-arranged time, trusting that agents on the ground had checked the field for cart tracks and loitering Gestapo. Every mission required ice cool bravery and nerves of steel. |
Hellcat Fury by Robert Taylor. Truk, the small atoll in the South Pacific, was the major anchorage for the Japanese Fleet. Comprising a magnificent harbor and four heavily defended airfields, it was thought impregnable by the US forces as they fought their way up through the Pacific. But on 16-17 February 1944 a violent two-day aerial assault by carrierborne aircraft of Task Force 58 exploded the myth. In just two days the US Navy flyers sunk over 200,000 tons of Japanese naval shipping and destroyed an estimated 275 enemy aircraft, totally eliminating all effectiveness of the Japanese base. Light as the US Navy losses were only 25 aircraft failed to return the battle for Truk was ferocious. The ground installations, ships, and airfield batteries put up intense antiaircraft fire against the attacking American aircraft, while Zeros did their best to repel the onslaught. The air above the atoll became a maelstrom of flak, tracer, flying lead and shrapnel, while below huge explosions rocked the ground as ammo and fuel dumps were hit, fires raged, and the acrid smoke of battle pervaded the entire area. In this important new painting, his first featuring the F6F Hellcat, Robert Taylor brings to life the scenario that was crucial to Admiral Spruances forceful drive through the Central Pacific. The once feared Japanese base at Truk is being reduced to a statistic of war. Hellcats of VF6 hurtle across the lagoon at masthead height with guns blazing, creating havoc as they tear into the enemy positions below. Seen in the foreground is the F6F-3 of Lt. Alex Vracui, subsequently to become one of the Navys top guns. This exhilarating work dramatically conveys the awesome conditions endured day after day by the pilots of the US Navy and Marine Corps in the Pacific. |
Caught on the Surface by Robert Taylor In a strange quirk of fate, a Sunderland of 461 Sqn RAAF identification letter U, destroys submarine U-461, a type XIV tanker, one of three German submarines caught on the surface by Allied aircraft in the Bay of Biscay on July 30, 1943. At extreme low level, Sunderland U braves a barrage of gunfire from all three encircling German submarines to deliver a successful depth charge attack, sinking U-461 in a single pass. In an act of grace, the Sunderland pilot returned to the scene to drop a dingy to the U-boat survivors. |
Chennault's Flying Tigers by Robert Taylor. P40 Tomahawks of the American Volunteer Group fought against the Japanese air force in the skies over Indo-China during World War 2 and became one of the most successful and famous fighter units of all time. Strangled by the Japanese blockade of its sea ports, and with supplies from Russia diverted to combat Hitler's invasion, China was left with one lifeline for vital supplies from the outside world: a treacherous unpaved track hacked through mountain terrain linking the port of Rangoon with the city of Kumming, in South West China - it was the infamous Burma Road. With the Impirial Japanese air force hell-bent on destroying Chinas last supply link, opposition had almost evaporated but for a tiny air force of American volunteers led by the indomitable figure of Claire Chennault. Formed in early 1941, months before Pearl Harbor, a rag-tag bunch of 100 recruited flyers supported by 200 ground personnel, known as the American Volunteer Group came together to stand alone against the might of Japanese air force in Indo-china. Blazing a trail in the skies over Burma and China they created a legend that will remain in the folklore of aviation history. They were Chennault's Flying Tigers. With little official support from home, the P-40 Tomahawk pilots of the A.V.G. became the scourge of the Japanese air force. In a six month period of combat, with no more than 50 or 60 serviceable aircraft, they destroyed some 300 Japanese aircraft, while probably destroying another 300. Their brief, glorious existance came to and end when on 4th July 1942 the A.V.G. was absorbed into the U.S Army Air Corps. Chennault's Flying Tigers passed into history. Moved by the legend of the Flying tigers, Robert Taylor has created a masterpiece. Capturing the spirit of the Flying Tigers he portrays a scene typical of the distant war fought by this tiny band of warriors. In the foreground of Robert's dramatic combat scene are two P-40s of the 2nd Pursuit Squadron, the Panda Bears, as they pull out of a driving attack just above the tree-tops of the Burmese jungle. One bomber hits the water, as two more P-40s bear down on another Nakajima bomber. In the distance the air is busy with low-level combat. |
Typhoon Attack by Robert Taylor. Sqd Ldr Beamont leads the Typhoons of no. 609 Squadron in an attack on heavily armed German shipping in the Channel. |
Midway The Turning Point by Robert Taylor. Dauntless of the SS carrier Enterprise prepare to attack the Japanese Fleet at Midway, June 1942. The success of their bold and Devastating action changed the course of the war in the Pacific. |
Ploesti, The Vital Mission by Robert Taylor. Col Leon Johnson aboard the damaged Suzy Q emerges through an inferno of intense ground fire and dense palls of acrid burning oil. More seriously hit and smoking, another B-24 Liberator completes its bombing run. By the end of that first day of May 1943, the Ploesti oil fields were in ruins and the B-24 crews of the 8th and 9th Air Forces had dealt a vital blow to the Axis war machine. |
Zero Encounter by Robert Taylor. A Japanese Zero condenses the air off its wing tips as its pilot hauls his fighter inside a Marine F4F Wildcats determined attack. The two adversaries cavort the air in a desperate duel high over the island of Guadalcanal. The sky is alive with fighting aircraft as F4Fs and Zeros are locked in deadly combat. Below, clearly visible throught the clear tropical air is the prize over which they do battle: A single tiny airstrip on a small hill, humid, almost uninhabitable island - A priceless possession providing the key to air supremacy in the South Pacific. |
Beach Head Strike Force by Robert Taylor. F4U Corsairs search and destroy enemy positions during landings in the Marshall Islands, 1944. |
Rare Pair of D-Day prints by Robert Taylor - Into Battle by Robert Taylor and Crash Landing by Robert Taylor. Into Battle - Piling out of their C47 Dakotas, US paratroopers decent into the Drop Zone inland from Utah Beach D-Day 1944. Crash Landing - A Glider Pilot brings his fully laden CG Glider into the Normandy battlefield - D-Day 1944. |
Return from Schweinfurt by Robert Taylor. B-17 Fortresses of the American 8th Air Forces 1st Wing, fighting their way back from Schweinfurt on 17th August 1945. |
Fortress under Attack by Robert Taylor. 22nd Bomb group B17s under attack by Mitsubishi Zero fighters over Rebaul November 1942. |
Those Valiant Few by Robert Taylor. The Battle of Britain commenced at the beginning of June 1940, and for the next two and a half gruelling months the young men of Royal Air Force Fighter Command, duelled with the cream of Goerings Luftwaffe over the skies of southern England. It was to become the greatest aerial conflict in aviation history. Always outnumberd, the valiant young pilots fought with a determined fierceness and intensity, and never once did their spirit waiver. By the end of September the battle was won, but many had made the ultimate sacrifice. |
Eagles Prey by Robert Taylor. Spitfires of No.71 Squadron American Eagles fly over a downed Me109 after a dogfight above northern France, 1941. |
Tally Ho by Robert Taylor In this classic Robert Taylor painting Brian Kingcome is seen leading the Spitfires of 92 Squadron in a diving attack into a force of HEIIIs over the city of London during the height of the Battle of Britain. Brian Kingcome flew Spitfires operationally virtually without break, right throughout the war. |
Cloud Companions by Robert Taylor. A Lancaster has been damaged and is left far behind the main force to make its own perilous way home as best it can. Seeing the vulnerability of their friends, a Mosquito crew expose themselves to the same dangers, and throttle back to stay alongside the injured warbird. Dawn has broken, the visibility is unlimited. They have yet to make that Channel crossing and enemy fighters are in the area. The crew of the Lancaster struggle to maintain flying speed and enough height to bring their large four-engined aircraft home. Perhaps tonight they will all drink and laugh in the local pub - perhaps! Meanwhile the drama unfolds: Dawn has broken, the visibility is unlimited. They have yet to make that Channel crossing and enemy fighters are in the area. The crew of the Lancaster struggle to maintain flying speed and enough height to bring their large four engine aircraft home. Robert Taylor conveys the desperate urgency of the situation with masterful strokes of his brush, providing an image of war that is poignant, emotive, yet beautiful to behold. |
Desert Hawks by Robert Taylor A flight of Kittyhawks of No. 3 Squadron Royal Australian Air Force on a strike mission over the North African Desert in January 1942, in the build-p to the Battle of Alamein. No. 3 Squadron RAAF was the first in the Desert to achieve 100 confirmed victories, and continuing in combat throughout the fighting in North Africa, became the Squadron with the highest number of air victories of the Desert Air Force Squadrons. |
Lancaster VC by Robert Taylor A superb study of a pair of Lancaster heavy bombers as they set out on a mission over occupied Europe, painted against a powerful cloudscape. Both Bill Reid and Norman Jackson won Britains supreme award, the Victoria Cross, flying in Lancasters. |
Bekaa Valley by Robert Taylor. A dramatic combat between an F-16 Falcon and a Mig23 fought over the Bekaa Valley in June 1981. In a three day period the Israeli pilots brought down over 80 Syrian aircraft without loss. Robert Taylors brilliant painting shows a close-up view of the action. |
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