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Aviation Art Prints  Aviation Artists  Robert Taylor |
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The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession. Sadly he passed away in January 2024.
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Strike and Strike Again by Robert Taylor. By the spring of 1945, Germanys once all-conquering submarine fleet, driven by allied forces from its bases in estern France, had fled to the relative safety of the Norwegian fjords - territory still remaining under German occupation since 1940. In one of Hitlers last stands, more than 100 U-Boats, merchant freighters, flakships, and other military vessels were hathered in the narrow fjords, laying up by day and sailing undercover of darkness. They were a menace that had to be dealt with. Tasked with the difficult job of eliminating this force were the Beaufighters and Mosquitos of RAF Coastal Commands Strike Wings based in Scotland. - Our job was to go after this shipping and sink it - recalled Wing Commader Colin Milson, C.O. of No. 455s Beaufighters. - The fjords were often just 200 - 300 yards across with cliffs rising vertically up 2000 feet, the deep water allowing the German shipping to get in beneath these high overhanging cliffs. This made for difficult and dangerous flying, exacerbated by the heavy flak and machine gun fire that always welcomed us. |
Breaking Cover by Robert Taylor. Concealed in the woods of northern France, Fw190 pilots break cover ready for a quick take-off to intercept Allied bombers in the summer of 1944. One of the great fighters of World War II, the Fw190 for a time came to dominate the war-torn skies of Europe and was flown by many of the Luftwaffe's great Aces. |
Maple Leaf Scramble by Robert Taylor. (GS) The latest Giclee technology has once again brought Robert Taylor's sophisticated artistry to life to faithfully replicate his classic painting of the Hurricanes of 1 Squadron (RCAF). Becoming operational at Northolt in August 1940 they served with great distinction throughout the Battle of Britain. |
Knight of the Reich by Robert Taylor. On the morning of 15th October 1943, as Bf109G's from III./JG52 dive into attack a group of Russian fighters high over Zaporozhye in south-east Ukraine, their Kommandeur Hauptmann Gunther Rall pounces on a Soviet La-5 to claim his 222nd victory. During this astonishing one month period Rall shot down 40 aircraft and at the end of November 1943 achieved 250 victories - at the time only the second Ace to do so after Walter Nowotny. By the time he was posted back to the West, he was well on the way to his final score of 275 victories, making him the third highest-scoring Ace in history. Had he not been wounded in action numerous times and forced to spend months in hospital, he might well have been the highest-scoring Ace of them all. |
The Blond Knight by Robert Taylor. It is a record likely to stand for all time, Erich Hartmann's tally of 352 victories is more than any other pilot in history. Posted to JG52 over Russia in August 1942 his new Kommodore, Dieter Hrabak, placed the novice pilot under the guidance of Paule Rossman, one of the unit's most experienced and respected Aces. However, during his very first combat Hartmann became so disorientated that he got lost in cloud and ran out of fuel. His undoubted skill as a pilot enabled him to survive the inevitable crash-landing, but a few days later and just minutes after scoring his first ever victory, he was shot down - again crash-landing. This time he only just escaped from his burning aircraft before it exploded. Any other new pilot might have succumbed but Hartmann was made of sterner stuff and , with Rossman's help and guidance, it was not long before everyone in JG52 realised that he possessed exceptional skill. By the summer of 1943 the Blond Knight and his colleagues were flying up to six missions a day and having now perfected his technique, it was unusual for him to finish a day without a victory. Never claiming to be an expert marksman, his approach, which took nerves of steel and great flying skills, was to get as close to his enemy as possible before opening fire at the last minute. Often flying head on, the risks of collision and damage were great - of the sixteen times Hartmann was brought down, eight were as a result of flying into the debris of his victim! Hartmann's 352 victories were achieved with JG52 - all except one. It happened during a brief two week spell at the beginning of February 1945 when the top Ace was placed in temporary command of I./JG53. His new unit were based in Hungary where German Army Group South was in bitter retreat and the fighting was as tough and relentless as ever. The Blond Knightportrays Erich Hartmann climbing out of his Bf109 G-6 at Weszperem's snow-covered airfield after returning from another arduous mission leading Stab I./JG53 with whom, on 4th February he downed a Yak-9. It was his 337th victory. |
Rabaul - Fly For Your Life by Robert Taylor. For their outstanding contribution to the war in the South Pacific, the Black Sheep were awarded one of only two Presidential Unit Citations accorded to Marine Corps squadrons during the war in the Pacific. With typical mastery, Robert Taylor has brought to life an encounter over Rabaul in late December 1943, paying tribute to one of the US Marine Corps most famous fighter squadrons, and its outstanding leader. With the Japanese airbase at Rabaul visible in the distance, Pappy Boyington and his fellow pilots of VMF-214 tear into a large formation of Japanese Zekes and a series of deadly dogfights have started, one Zeke already fallen victim to their guns. |
Bader Bus Company by Robert Taylor. (GS) On Saturday, 9 August 1941 the unthinkable happened: the legendary Fighter leader Douglas Bader failed to return from a mission over northern France. Immediately, without thought for their own safety, the fiercely loyal pilots of his Tangmere Wing set out on a sweep to search for him, hoping that he may have successfully baled out into the Channel. By nightfall, however, there was no sign of him and everyone feared that their famous Wing Leader might have been lost. A few days later, however, the good news filtered into Tangmere; Bader, renowned as the Fighter Ace with artificial legs, had survived, albeit as a prisoner of war. |
High Cost by Robert Taylor. The crews of Bomber Command faced one of the most daunting tasks, calling for courage sustained night after night, in conditions of desperate danger and discomfort. They did not fail us and 55,573 paid the supreme sacrifice. In his new tribute to The Many, Robert Taylors evocative painting recreates a typical scene encountered by many Royal Air Force bomber squadrons on raids over enemy occupied territory: Having already survived 30 successful operational sorties, on 9 February 1945 Lancaster PG-G of 619 Squadron has been intercepted by Luftwaffe night-fighters during a raid over Stettin Bay. |
Halifax Legend by Robert Taylor RAF Pathfinder founder and Commander signs print featuring the four engined Halifax bomber. |
The Battle for Britain by Robert Taylor. A Battle of Britain Spitfire from 610 Squadron takes on a Me109 from I./JG3 in a head-on attack high over the south coast port of Dover, in the late morning of 10 July 1940. |
Greycap Leader by Robert Taylor. Leading 433 (Canadian) Squadron, top Allied Fighter Ace Johnnie Johnson -Greycap Leader - has already bagged an Fw190, and is hauling his MKIX Spitfire around looking for a second in heavy dog-fighting over the Rhine, September 1944. In the distance more enemy fighters appear, they too will receive the attention of the Canadians. |
Towards Night's Darkness by Robert Taylor. Sometimes it was five, every so often it might be six, occasionally it was three, but usually it was seven men who flew together as a crew with RAF Bomber Command. They formed the closest of bonds, forged through an anvil of freezing temperatures, deadly flak and prowling night-fighters but, with an average age of only 22, their odds of survival were slim. By 1943 the life expectancy for bomber aircrew was just 5 missions - only one in six were expected to survive their first tour of 30 operations. The chances of surviving a second tour were even slimmer. Of the 125,000 men who flew with Bomber Command during World War II, more than 55,000 were killed. Whilst the 'Few' of Fighter Command had undoubtedly defeated the Luftwaffe during the Battle of Britain, it was the 'Many' of Bomber Command who were to play the pivotal role in delivering to the Allies ultimate victory in Europe. But it came at a terrible cost: on one raid alone - the Nuremberg raid of 30th/31st March 1944 - 543 aircrew were killed, more than Fighter Command lost during the entire Battle of Britain. Robert Taylor's evocative new painting is a moving tribute to these men of Bomber Command. As the setting sun casts a golden glow, a group of Lancasters from 576 Squadron gather into formation after departing from their Lincolnshire base at the start of a raid into Germany in late 1944. The lead aircraft UL-I (LM227) was one of only a handful of Lancasters to complete 100 operational sorties. Between them the pilots of Bomber Command won 23 Victoria Crosses during WWII, and countless others were highly decorated for courage and commitment. Several of these veterans have now joined together to sign this commemorative limited edition to honour all those who served with Bomber Command. They include some of the RAF's most inspirational leaders - men such as James 'Tirpitz&;39; Tait, who was awarded no less than four DSOs to become one of the most highly decorated RAF airmen of WWII. Although sadly no longer with us, we are privileged that he was able to personally sign the prints during his lifetime, creating a truly historic collectors edition. |
Target Bearing 270 by Robert Taylor. At sunrise on 12 November, 1944, led by Wing Commander James Tait, Lancasters of 617 Squadron RAF prepare to make their bombing run on the German battleship Tirpitz, lying in the Norwegian fjord at Tromso. |
Glorious Summer by Robert Taylor Throughout the long hot summer of 1940 the destiny of the British Isles, indeed the future of Europe, lay in the hands of a small band of young RAF fighter pilots. Against them stood the vast aerial fleets of an all-powerful Luftwaffe, gloating and confident from its victories in Poland, France and the Low Countries. Lying in wait across the Channel, anticipating an easy victory by its air force, were the armies of the most powerful tyrant the world had ever known. With Europe already succumbed to Nazi rule, Britain was alone, the last bastion among the free nations to stand against an evil empire bent upon world domination. The battle, the first ever to be fought entirely in the air, would change the course of history, whatever the outcome. Outnumbered more than five to one at the outset, the odds were so heavily stacked against the RAF, the task looked hopeless. But as the ferocious aerial battles continued through the long summer months, the tactical skills, devotion and raw courage of the RAF's young flyers, gradually turned the tide. By September end, the battle was won and the defeated Luftwaffe retired to its plundered territories to lick its wounds. Image shows nearest, young Pilot Officer Geoffrey Page, later to become one of the RAFs most highly decorated fighter aces, powers his Mk I Hurricane over the country lane at the edge of the airfield, as he and his fellow No 56 Squadron pilots make their third scramble of the day. |
Marauder Mission by Robert Taylor B26 Marauders of the 386th Bomb Group 9th Air Force, returning from a strike against VI, rocket sites in the Pas de Calais, January 1944. The 9th Air Force became one of the most effective forces in the destruction of VI rocket sites, railroad yards, bridges and other enemy position in northern France and by May 1944, was despatching more than one thousand aircraft a day against targets in Normandy and the Pas de Calais. |
Thunderbolt Strike by Robert Taylor. A flight of P47 thunderbolts of the 404 Fighter group, 9th Air force, clear the target area after a low-level attack on the airfield inland from Le Havre, Normandy, 1944. Tracer winds up towards them from ground defences and almost all the aircraft have taken hits. Ground-attack pilots went in low, did the job and got our fast! |
Airstrike over West Falklands by Robert Taylor. A pilots eye view of the last seconds of a Mirage V at the hands of 801 Naval Air C.O., Commander Sharkey Ward, flying a Sea Harrier from H.M.S. Invincible on May 21, 1982, in a ferocious dogfight during the Battle of Falkland Sound. |
Doolittle Raiders by Robert Taylor. Doolittle Raiders take their B-25 bombers down to very low level and head for China after delivering their surprise attack on the industrial and military targets in and around Tokyo on April 18, 1942. The sixteen-ship mission, led by volunteer crews, successfully completed one of the most audacious air raids of World War II. |
Fighting Tigers by Robert Taylor. On August 5, 1944, following a successful attack on Japanese forces just north of Changsha, P-40 Warhawks of the75th and 16th Fighter Squadrons, 23rd F.G., are attacked by enemy Nakajima fighters and a massive dog-fight has developed over the Hsiang Chiang river with aircraft wheeling and turning in all directions. The action is set against the distinctive, haunting landscape of Southern China, Roberts panoramic canvas capturing all the atmosphere of a crucial aerial campaign fought in the skies above a distant land so many years ago. |
Assault on the Capital by Robert Taylor Robert Taylors final painting in his 60th Anniversary trilogy features a scene from the attacks on the afternoon of September 7, 1940. Led by Herbert Ihlefeld, Me109Es of II/LG 2 dive through the bomber formation giving chase to Hurricanes of 242 Squadron as Ju88s of KG30, having unloaded their bombs, head for home. One Ju88 has been hit and is already losing height, and will not return. Following behind He111s of KG53 try to keep formation as they fly through flak. The sky is alive with action. |
Top Dog by Robert Taylor. Completing a record 213 operational sorties with Bomber Commands Pathfinder Force, Mosquito LR503 became one of the most successful aircraft in the Royal Air Force during World War II. It flew first with 109 Pathfinder Squadron, and then 105 Pathfinder Squadron, completing more combat missions than any other Allied aircraft. |
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