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Aviation Art Prints  Aviation Artists  Robert Taylor |
[UP] - Ivan Berryman - Robert Taylor - Stan Stokes - Nicolas Trudgian - David Pentland - Philip West - Gerald Coulson - Graeme Lothian - Anthony Saunders - Keith Woodock - Robert Tomlin - Michael Rondot - Brian Bateman - Barry Price - Geoff Lea - Keith Aspinall - John Young - M A Kinnear - Michael Turner - Robin Smith - More Artists - Artist Lists by Title |
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| Robert Taylor |
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The name Robert Taylor has been synonymous with aviation art over a quarter of a century. His paintings of aircraft, more than those of any other artist, have helped popularise a genre which at the start of this remarkable artist's career had little recognition in the world of fine art. When he burst upon the scene in the mid-1970s his vibrant, expansive approach to the subject was a revelation. His paintings immediately caught the imagination of enthusiasts and collectors alike . He became an instant success. As a boy, Robert seemed always to have a pencil in his hand. Aware of his natural gift from an early age, he never considered a career beyond art, and with unwavering focus, set out to achieve his goal. Leaving school at fifteen, he has never worked outside the world of art. After two years at the Bath School of Art he landed a job as an apprentice picture framer with an art gallery in Bath, the city where Robert has lived and worked all his life. Already competent with water-colours the young apprentice took every opportunity to study the works of other artists and, after trying his hand at oils, quickly determined he could paint to the same standard as much of the art it was his job to frame. Soon the gallery was selling his paintings, and the owner, recognising Roberts talent, promoted him to the busy picture-restoring department. Here, he repaired and restored all manner of paintings and drawings, the expertise he developed becoming the foundation of his career as a professional artist. Picture restoration is an exacting skill, requiring the ability to emulate the techniques of other painters so as to render the damaged area of the work undetectable. After a decade of diligent application, Robert became one of the most capable picture restorers outside London. Today he attributes his versatility to the years he spent painstakingly working on the paintings of others artists. After fifteen years at the gallery, by chance he was introduced to Pat Barnard, whose military publishing business happened also to be located in the city of Bath. When offered the chance to become a full-time painter, Robert leapt at the opportunity. Within a few months of becoming a professional artist, he saw his first works in print. Roberts early career was devoted to maritime paintings, and he achieved early success with his prints of naval subjects, one of his admirers being Lord Louis Mountbatten. He exhibited successfully at the Royal Society of Marine Artists in London and soon his popularity attracted the attention of the media. Following a major feature on his work in a leading national daily newspaper he was invited to appear in a BBC Television programme. This led to a string of commissions for the Fleet Air Arm Museum who, understandably, wanted aircraft in their maritime paintings. It was the start of Roberts career as an aviation artist. Fascinated since childhood by the big, powerful machines that man has invented, switching from one type of hardware to another has never troubled him. Being an artist of the old school, Robert tackled the subject of painting aircraft with the same gusto as with his large, action-packed maritime pictures - big compositions supported by powerful and dramatic skies, painted on large canvases. It was a formula new to the aviation art genre, at the time not used to such sweeping canvases, but one that came naturally to an artist whose approach appeared to have origins in an earlier classical period. Roberts aviation paintings are instantly recognisable. He somehow manages to convey all the technical detail of aviation in a traditional and painterly style, reminiscent of the Old Masters. With uncanny ability, he is able to recreate scenes from the past with a carefully rehearsed realism that few other artists ever manage to achieve. This is partly due to his prodigious research but also his attention to detail: Not for him shiny new factory-fresh aircraft looking like museum specimens. His trade mark, flying machines that are battle-scarred, worse for wear, with dings down the fuselage, chips and dents along the leading edges of wings, oil stains trailing from engine cowlings, paintwork faded with dust and grime; his planes are real! Roberts aviation works have drawn crowds in the international arena since the early 1980s. He has exhibited throughout the US and Canada, Australia, Japan and in Europe. His one-man exhibition at the Smithsonians National Air and Space Museum in Washington DC was hailed as the most popular art exhibition ever held there. His paintings hang in many of the worlds great aviation museums, adorn boardrooms, offices and homes, and his limited edition prints are avidly collected all around the world. A family man with strong Christian values, Robert devotes most of what little spare time he has to his home life. Married to Mary for thirty five years, they have five children, all now grown up. Neither fame nor fortune has turned his head. He is the same easy-going, gentle character he was when setting out on his painting career all those years ago, but now with a confidence that comes with the knowledge that he has mastered his profession. Sadly he passed away in January 2024.
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Eagle Force by Robert Taylor. In the dark days of 1940 following Dunkirk, a seemingly defenceless Britain stood starkly alone in Europe, facing the might of an all-conquering Nazi Germany. Protected only by the narrow waters of the English Channel, it was left to a tiny band of young RAF fighter pilots to stem the Luftwaffes onslaught as the country braced itself for invasion. Across the Atlantic, America followed the savage encounters of the Battle of Britain, knowing that soon it too would become involved in the war. Unable to wait, a small band of Americans decided their time had come; some 240 young US pilots, motivated to fight for the cause of freedom, made their way to England to fly with the RAF, and later the USAAF; many paid the ultimate price, more than a third never returning home. By September 1940 these carefree young flyers were united into a re-formed 71 Squadron, the first of three Eagle Squadrons, and the first to go into action, followed shortly after by 121 and 133 squadrons. Showing the same steely determination that had carried their British comrades through the Battle of Britain, they were quickly embraced into the fold of the RAF, their ferocious reputation in combat endearing them to the British people. The legend of the American Eagles was born. Robert Taylors tribute to the young American volunteer pilots who joined the RAF to fight for freedom at the time when Britain stood alone against the Nazi domination in Europe. Robert Taylors painting features Spitfire Vbs of 71 Squadron RAF as they return to their base at North Weald, September 1941, the young American pilots perhaps taking a brief moment to marvel at the myriad colours of the late evening sun - welcome relief from the perils of recent air combat with the Luftwaffe high above the English Channel. |
Red Arrows by Robert Taylor. The R.A.F.s Red Arrows - perhaps the finest close formation aerobatic team in the world, flying their renowned Hawk jets over the Gloucestershire countryside. |
Most Memorable Day by Robert Taylor. Adolf Galland and his wingman Bruno Hegenauer break through the fighter escort of No. 303 Squadrons Spitfires to attack Blenheim bombers of No. 21 Squadron over northern France, 21 June 1941. In two missions that day Galland claimed two Blenheims and one Spitfire, survived a forced crash-landing, and later a parachute escape from his blazing Me109. That evening he learned he was to become the first recipient of the Knights Cross with oak leaves and swords - Germanys highest award for heroism. |
Winter Homecoming by Robert Taylor. (GS) For over five years the young men of RAF Bomber Command fought a long, unceasing and always bitter struggle against the mighty war machine of Nazi Germany. Magnificently brave, they endured fearful odds, frightening losses and some of the most terrifying flying conditions imaginable, but they persevered unflinchingly. The extraordinary heroism of those men is reflected by the twenty-three Victoria Crosses awarded during that time. And one aircraft above all others came to symbolise that gallantry, the mighty Lancaster. Robert Taylor's moving tribute to that famous bomber, Winter Homecoming, is surely one of the most beautiful aviation landscapes in existence. With great skill the artist has managed to portray the contrasting moods of wartime England within a single canvas. As dawn breaks over a tranquil English landscape, the crisp winter air echoes to the sound of hard-working Merlin engines. The glinting rays of the rising sun reveal the damaged Lancaster, its inner port engine smoking as the battle-weary pilot struggles to keep his aircraft flying. Probably there are injured men on board. Long overdue, the straggler has fallen far behind the main returning force, only the dogged tenacity of her pilot and crew have kept them going. They could easily have fallen prey to prowling Luftwaffe night fighters, but this time they've been lucky, they will make it home - just. |
Running the Gauntlet by Robert Taylor. Though some 1400 of Germanys remarkable Me262 jet aircraft were built, fewer than 300 ever saw action during its short 10 month combat career, the 550 mph fighter-bomber arriving in service too late to make any impression on the course of the war. Most famous of all Me262 units was Jagdverband 44, commanded by General Adolf Galland. Instructed by Hitler to set up a small defensive fighter unit to make the most of the new Me262, Gallands JV44 attracted other top-scoring pilots, including top aces Macky Steinhoff and Walter Krupinski, and the unit soon became dubbed Gallands Squadron of Experts. Though doing their best to repel daylight attacks on jet production plants in Southern Germany, JV44 were fighting a losing battle. During a raid on 9 April 1945 the unit lost nine aircraft - a pattern that was to continue. Also, American fighter pilots, unable to catch the 262 in the air, found success taking the jets out as they took off or landed, catching them while at their most vulnerable. With the Allies driving deeper and deeper into Germany, production of aircraft, spares, fuel, and ammunition, steadily dried up. The point came when JV44, Gallands now legendary Squadron of Experts, finally ground to a halt. Running the Gauntlet shows Me262s of JV44 returning to base in southern Germany, having come under attack from P-51 Mustangs of the 353rd Fighter Group. Almost out of fuel and ammunition, the Me262s have little option but to complete their landing sequence, hoping fervently they are not bounced by American fighters loitering in the area. They are out of luck on this occasion, and although Galland has organised a unit flying Focke-Wulf Fw190D-9s to provide air cover in the area of the airfield, they too have been caught by the 353rd Fighter Groups surprise attack. At the relatively slow speed required on final approach, the Me262s handling is sluggish and the pilot is having enough trouble without the attentions of a bunch of P-51 pilots. At this point the JV44 Me262 remains unscathed, and with the arrival of the Fw190s, there is the possibility this particular jet pilot will survive the day. |
First Combat by Robert Taylor Don Kingaby is the only pilot in the RAF to have been awarded 3 DFMs. During his first combat on August 12, 1940, he severely damaged an JU88 over the Isle of Wight and Robert Taylor captures the moment of break, with the JU88 already smoking. Don Kingaby flew a further 450 operational sorties on Spitfires. |
The Wolfpack by Robert Taylor. The 56th Fighter Group was led by some of Americas greatest fighter leaders of World War II and was home to many of its leading fighter Aces. Under successive commanders Hub Zemke, Robert Landry and David Schilling, the 56th destroyed more enemy aircraft in combat than any other fighter group in the Eighth Air Force. Arriving in England in January 1943 under the command of Colonel Hub Zemke, a master tactician and fearless leader, the 56th quickly emerged as an outstanding fighting unit. The only Eighth Air Force Group to fly P-47 Thunderbolts throughout the war, the 56th spawned more fighter Aces than any other USAAF group - legends such as Gabby Gabreski, Robert Johnson and the colourful Ace Walker Bud Mahurin. Under Hub Zemkes mercurial leadership they became known and feared as Zemkes Wolfpack. On 26 November, 1943, the P-47s of the 56th Fighter Group were tasked to escort B-24 Liberators of the 392nd Bomb Group on a dangerous mission to attack the heavily defended industrial and dockyard facilities in the German port of Bremen. Zemke knew the Luftwaffe would be waiting for them as they approached the target, and they were - in force! It was to become a day of high drama. With the Luftwaffe throwing all the fighters they could muster at the American heavy bombers, a massive aerial battle ensued. In the running dogfights high over Bremen, the Wolfpack claimed their most successful action of the war with 23 confirmed kills, 3 probables, and 9 damaged, creating an all-time record in the European Theatre. The 392nds B-24 Liberators could not have been in safer hands on that eventful day. |
Valiant Response by Robert Taylor. The Spitfires of 54 Squadron, quickly scrambled from nearby Hornchurch, clash with the Me109s from 1./JG51 over Kent. Below, Me110s from KPRG210 are about to receive unwelcome attention as the rest of the Spitfires hurtle down upon them and in the distance, a group of Hurricanes rip through a dense formation of Do17s from KG76 as they struggle back to France. What clouds there are will be unlikely to give much sanctuary and, for the onlookers on the ground far below, the skies will soon be filled with weaving trails of smoke and debris. For nearly a week the Luftwaffe had thrown everything they had into the attack on southern England in order to annihilate RAF Fighter Command, in preparation for Operation Sealion, the invasion of Britain. And, heavily outnumbered, the young RAF Spitfire and Hurricane pilots of Fighter Command had so far repelled them, at a cost. But on Sunday 18 August 1940, the Germans launched the heaviest formations of aircraft seen in the battle so far. This was to be a grinding day of relentless assaults on the airfields of southern England, the hardest day of the Battle of Britain. |
Viper Venom by Robert Taylor. Pilots from the 31st and the 52nd Fighter Wings climb their heavily armed F-16 Vipers out of Aviano Air Base, Italy, on a strike mission over Bosnia, June 1999. |
Front Line Hurricanes by Robert Taylor. Based at a temporary formed airfield at Lille Marc, Hurricanes of No. 87 Squadron - showing the strains of battle - taxi in from a skirmish during heavy fighting in the Battle of France, May 1940. |
Uneven Odds by Robert Taylor In August 1940, Frank Carey let No 43 Squadrons A Flight into Schwarms of JU87s, escorted by Me109s. Though hopelessly outnumbered, Carey accounted for 4 JU87s before running out of ammunition. |
Desert Sharks by Robert Taylor. Robert captures precisely the arid heat, dust and smoke of desert warfare, conveying an air of impending conflict. Neville Duke in his 112 Sqn P40-D Kittyhawk. |
Angels Three Zero by Robert Taylor Bobby Oxspring in his 66 Squadron Spitfire destroys an ME109 of JF/53 Ace of Spades Group, in a high level attack at 30,000 feet above Dover, 18th September 1940. |
Mission Beyond Darkness by Robert Taylor Following the attack against Admiral Ozawas Japanese carrier fleet on June 20, 1944, Admiral Mitscher defies all rules of naval engagement: In total darkness, with the ever-present danger of enemy submarines, he orders every ship in his Task Force 58 to switch on lights to guide over 100 returning carrier-borne aircraft, all desperately low on fuel. Amid the confusion, unable to get a landing slot aboard the USS Lexington, and now out of fuel, a pilot and his gunner scramble from their ditched SB2B Curtiss Helldiver, as a Fletcher class destroyer manoeuvres to make the pick up. |
Clearing Skies by Robert Taylor. The winter of 1944 / 45 wasn't the coldest ever recorded in England but it came close. The weather was bitter and, in what would turn out to be the last Christmas of the war, temperatures plunged across the country, bringing ice, freezing fog and deep banks of drifting snow. Airfields across East Anglia stood bleak and frost-bound, runways kept clear of snow when conditions allowed, whilst the heavy bombers of the US Eighth Air Force remained under wraps, engines oiled, warmed and ready for any break in the banks of murky fog that would allow them to fly. And when those breaks came, the bombers were back in action ready to play their part in the final destruction of Hitler's Third Reich. The end game was rapidly approaching and both sides knew it. Clearing Skies portrays one such break in the weather when, with recent heavy snow beginning to thaw, the B-17 Fortresses of the famous 100th Bomb Group at Thorpe Abbotts in Norfolk are being prepared for a new mission to Germany in early 1945. Earning the nickname 'The Bloody Hundredth' due to the heavy losses they suffered, Robert has fittingly chosen the 100th BG to represent all those who flew so heroically with the Eighth Air Force in England during World War II. The Eighth flew its final bomber operations of the war on 25th April 1945, the last of 968 combat missions involving over 523,000 sorties; they had dropped some 700,000 tons of bombs, inflicting destruction on a scale from which the enemy could never recover. Yet the cost of the victory in which they had played such a major part made for sober reading; they had lost some 6,130 bombers and fighters along with some 47,000 casualties, including more than 26,000 dead - half of the entire US Army Air Force losses during the conflict. |
Bristol Blenheim by Robert Taylor. No text for this item |
Out of Fuel and Safely Home by Robert Taylor. Damaged by flak and enemy fighters, and almost out of fuel, after a gruelling eight hour mission the pilot of this B-17 Fortress makes a forced landing in the safety of an English cornfield. A pair of P-51 Mustangs have escorted the damaged aircraft back across the North Sea, and peel off as they see their charge safely back on friendly soil. |
Chance Encounter by Robert Taylor. December 7, 1941 was, said President Roosevelt a day of infamy. The surprise attack by Japanese aircraft on that fateful day, brought America into a war that was to become global. The Japanese airstrike was the first of many attacks that day against America and other Allied Forces in the Pacific. Within a few days the British capital ships Prince of Wales and Repulse were sunk, the Japanese had landed on the coast of Malaya, Guam was seized, Hong Kong taken, and landings were made in the American held Philippines. In those first grim days of the Pacific War one territory after another quickly fell to the Japanese onrush - resistance, though heroic, was almost futile as the unprepared Allies were simply overwhelmed. Retaliating as best they could, Allied Forces hit back wherever possible and one of the first successes was by Dutch Forces on 23 December, just 16 days after Pearl Harbor. A Japanese invasion fleet had been spotted steaming south towards British Borneo. Royal Netherlands Navy submarine K XIV, alerted to their position, was heading west in order to make an interception. But the Japanese changed course on to an easterly heading during the night and made for the beaches off Ktiching - the opposite direction to that of the submarine. However a patrolling Dornier 24 of the Royal Netherlands Navy sighted the fleet on its new course, and by a remarkable chance encounter also spotted the submarine on the surface, and immediately signalled the location, course and speed of the convoy. The submarine quickly engaged the Japanese in the shallow waters off the landing beach head, causing chaos amongst the fleet. Two ships were sunk and another two severely damaged. The Dornier, despite being heavily engaged by Pete floatplanes from a Japanese heavy cruiser, managed to return safely to base. |
Lightning Strike by Robert Taylor. No text for this item |
Height of the Battle by Robert Taylor. (GS) Continuing his popular series of Giclee Studio Proofs on canvas, Robert Taylor portrays Squadron Leader 'Sailor' Malan DFC, Commanding Officer of 74 Squadron and one of the great Battle of Britain Aces, in his famous painting Height of the Battle. Having already made one diving attack into the force of Luftwaffe He111 bombers approaching London with their fighter escort, 'Sailor' peels his Spitfire over for a second attack. Another top Ace, Pilot Officer Harbourne Stephen DFC, is hard on his heels. Below them, typifying the scene as it was on the afternoon of Wednesday 11 September 1940, Mk.I Hurricanes from 17 and 56 Squadrons have already joined the fray. |
Day Drop - Stick 21 by Robert Taylor. At 23.45 on the night of 5 June 1944, the 101st Airborne's most legendary unit of combat paratroopers - the notorious 'Filthy Thirteen' - jumped into France near the village of Sainte Mere Eglise, in the final hours before the D-Day landings. They were the Screaming Eagles' most notorious unit, a small bunch of raw, tough, ruthless young men. Hard drinking and savage fighting - and that was only in training - with scant regard for authority. And if the reputation of this unique bunch of renegades within the ranks of the 101st was formidable, for the Germans it became one of sheer terror. Officially they were the First Demolition Squadron, HQ Company, 506th PIR, 101st Airborne. Unofficially they were the 'Filthy Thirteen'. Superbly crafted in his unique blend of pencil and paint on tinted paper, Robert Taylor's classic new Master Drawing captures the moment on the night of 5 June 1944 when the 101st Airborne's legendary squad of elite paratroopers jump into battle in the vital hours before the D-Day landings commence. The pilots of the 440th Troop Carrier Group struggle to keep their Dakotas level as deadly flak pummels the formation. |
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