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Aviation Art Prints Countries Germany Squadron Index JG1 to JG400 JG26 |
[UP] - JG1 - JG2 - JG3 - JG4 - JG5 - JG7 - JG11 - JG21 - JG26 - JG27 - JG50 - JG51 - JG52 - JG53 - JG54 - JG77 - JG300 - JG301 - JG400 |
JG26
Country : Germany
| JG26 Aviation Art Prints, Paintings and Drawings Aviation Art |
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Me109 - Adolf Galland by Jason Askew. (P) From June 1940 on, Adolf Galland flew as a of III./JG 26, fighting in the Battle of britain with 109-Emils from bases in the Pas de Calais. During the Battle of Britain, in a legendary front line General Officer briefing on Luftwaffe tactics, Hermann Goring asked what his pilots needed to win the battle. Galland replied: I should like an outfit of Spitfires for my squadron. Göring was speechless with rage. It is important that this remark is not taken out of context, because Galland also stated (in his autobiography) that of course fundamentally I preferred our Me109 to the Spitfire. This apparent contradiction was due to his view that because the Spitfire was more manoeuvreable he considered it more suitable to the role of defensive fighter than the Bf 109, though he actually thought that fighters should not be used in a defensive role anyway. When Galland made the much quoted comment about the Spitfires to Göring he was unbelievably vexed at the lack of understanding and stubbornness with which the command gave us orders we could not execute and so made the comment as a retort to Göring. |
Tribute to Generalleutnant Adolf Galland by Ivan Berryman. One of the all time great fighter aces, Adolf Galland is depicted flying Bf 109E-4/N of Stab/JG26 in September 1940. Galland flew 705 combat missions during World War Two and was credited with a final tally of 104 aerial victories. He survived the war and died peacefully in February 1996. |
Homeward Bound by Anthony Saunders. Summer 1940: it has been another rough day for the sasoned pilots of JG-26 Schlageter. Once again they have flown out of their base at Abbeville in northern France to escort the massed bombers of the Luftwaffe against the RAFs fighter airfields of southern England, and once again they have been locked in deadly combat with the Spitfires and Hurricanes of RAF Fighter Command. The Battle of Britain is reaching its climax and, for the first time, the Luftwaffe tastes defeat. This painting by Anthony Saunders brings to life a typical cameo from those long and arduous aerial contests, an Me109 from JG-26 has taken a hit during the fighting, the engine is overheating, and beginning to trail smoke. But the Squadron Commander, the legendary Adolf Galland, closes in to escort the stricken fighter back across the Channel. Crossing the iconic white cliffs of Dover, the drama has time to run. |
Knight's Realm by Brian Bateman. Spring, April 15, 1945. With the pincers from both the Eastern and Western Fronts encircling the Third Reich any hopes of a German victory had long since been crushed. The German pilots goal now was to survive from day to day and wish for a quick end to an already hopeless situation. The pilots of the vaunted JG26 had been respected and feared in the war since their inception on 28 September 1939 to their bitter end in 1945, achieving more than 2,700 aerial victories, a kill ratio of 3 to 1. Even though these pilots realized the final outcome of this war they continued to fight on as ordered - some for honor, most flying reconnaissance and low level bombing attacks against oncoming allied forces trying to stop the insurgence of armies into the Fatherland. |
Tigers in Normandy by Nicolas Trudgian. The Battle for Point 112, a strategically positioned hill just a few miles south-west of Caen, was the scene of the most violent fighting between German and British armor, artillery and ground troops during the weeks immediately following the D-Day invasion, in June 1944. Desperate to regain Hill 112, on July 9th, the Tiger tanks of SS Panzer Battalion 102 were ordered to advance. 2 Kompanies Tigers managed to occupy the eastern slopes of the hill, while 1 Kompanie came under fire as they rached the first houses in the small village of Maltot. At this point they came head on to British Sherman tanks. Entering the village firing his 88, Unterscharfuhrer Fey in tank 138 quickly knocked out three Shermans at 200 yards range, and by the evening of July 10th the Panzers had re-taken Maltot. But Allied artillery had driven the Germans off Hill 112. The battle raged on for another three weeks when on August 1st the Allies frove the Germans off Point 112 for the final time. Tigers of SS Panzer Battalion 102 yet again advance towards the infamous hill, passing two Shermans knocked out in the previous days fighting. Overhead, Me109s of II./JG26 give aerial support as the German armour makes a last ditch attempt to repel the advancing forces, in their effort to hold the important city of Caen. |
Adversaries by Ivan Berryman. No one knows for certain whether the two great fighter aces Douglas Bader and Adolf Galland actually fought each other in a one-on-one combat, but it is thought highly likely that they did as the famous Tangmere Wing led by Bader regularly found itself dueling with the Bf.109s of JG.26 led by Galland. Their great rivalry came to an end in August 1941 when Bader was shot down over St Omer, but these two heroes were to become close friends after the war, each having the utmost respect for the other. |
A Day for Heroes by Ivan Berryman. The afternoon of 25th July 1940 was a desperate one for the already exhausted fighter pilots of the RAF defending the South coast of England. As convoy CW8 made its way through the English Channel, sixty JU.87 Stukas and forty JU.88 bombers launched a brutal attack on the ships below, backed up by fighter cover of over 50 Messerscmitt Bf.109s. Eight Spitfires of 64 Sqn (Kenley) were scrambled, together with twelve Spitfires of 54 Sqn (Hornchurch) and Hurricanes of 111 Sqn from Croydon. The British pilots found themselves massively outnumbered, but nevertheless put up a spirited fight against the teeming enemy. This painting shows Spitfires of 54 Sqn entering the fray, the pilots scattering as they choose their targets and go after the JU.87s. To the right of this, Bf.109Es of JG.26 are roaring in to join battle, whilst Adolf Galland's aircraft engages a Hurricane of 111 Sqn. |
Eagles on the Channel Front by Robert Taylor. An exceptional painting by the worlds foremost aviation artist remembering the most famous of all Luftwaffe Fighter Wings that fought on the Western Front during the early years of World War Two. Prints are signed by Luftwaffe Aces who contested the great air battles with pilots of the RAF on the infamous Channel Front, 1940-1941 Badly mauled during the Battle of Britain, by early 1941 the Luftwaffe fighter wings, strung right across northern France, were back on strength. The front line squadrons were reequipping with the up-rated Me109F and, though suffering initial over-heating problems, the remarkable new Fw190A was making its first appearances. The Luftwaffe pilots were again full of confidence, and having the air endurance advantage of fighting close to their bases, they were competing on equal terms with the Spitfires and Hurricanes of RAF Fighter Command. Having spent the first 18 months of the war fighting a defensive air battle, RAF Fighter Command was raring to go onto the attack. The mix of Rhubarbs - two or three-plane, low-level incursions to attack enemy bases and installations - and large fighter sweeps aimed to entice the Luftwaffe up for a fight, kept the German fighter pilots busy throughout the summer. All through 1941 great air battles raged all along the Channel Front. Robert Taylors comprehensive work Eagles on the Channel Front, the fourth and final print in his widely acclaimed Wings of the Luftwaffe series, recreates a scene in northern France in the late autumn of 1941. Having just returned to their temporary airstrip in the region of St. Omer, Luftwaffe pilots of JG-26 excitedly debrief their recent encounter with Spitfires and Hurricanes, fought high over the Channel coast. The gleaming new Me109Fs are discreetly parked under trees on the edge the airfield, providing some cover from low-level surprise attacks. While ground crews busily prepare the Wings Me109s for another mission, a group of the exciting new Fw190A fighters taxi out. The scenario will continue right into winter. In his inimitable style, and with inordinate skill, Robert Taylor manages to evoke the heady atmosphere of a German front line airfield on the Channel Front in 1941. |
Yellow 10 by Ivan Berryman. (PC) The elegant D-13 was the ultimate example of Focke-Wulf's FW.190 to be powered by the Jumo 213EB inverted inline engine and is still widely regarded as one of the finest aircraft to have entered service with the Luftwaffe in WWII. Armed with three 20mm guns, one of them firing through the propeller spinner, this aircraft proved itself to be an effective weapon for Geschwader Kommodore Major Franz Gotz of JG.26, the great ace claiming 63 victories. His machine is depicted in close-up here - "Yellow 10", Werk No. 836017, based at Furstenau in February 1945. |
Battle of the Bight by David Pentland. (P) Heligoland, German coast, 18th December 1939. Johannes Macky Steinhoff attacking Vickers Wellington bombers of No.37 Sqn. A raiding force of 22 RAF Wellington Ia bombers from 9, 37 and 149 squadrons was intercepted by some 60 Me109 and Me110s. First to engage were 6 Me109Ds from Oberleutnant Johannes Macki Steinhoff 's NG26's experimental night fighter staffel. In the running battle that followed Steinhoff and Feldwebel Szuggar claimed 1 bomber each. It was a disasterous day for the RAF with a total of 12 aircraft being shot down and another 6 crash landing on their return to England. |
Hande Hoch! by Michael Turner. Unt. Horst Perez, the pilot of this Messerschmitt Bf 109 from JG26, surrenders to P.C. Walter Hyde and the local Home Guard after a forced landing near East Dean, Sussex, on 30th September 1940. |
The Long Short Days by Robert Taylor. It was known as the Jagdverbande, the fighter arm of the Luftwaffe, and by June 1940 it boasted some of the world's greatest fighter pilots. With tactics honed to perfection, these battle-seasoned veterans dominated the skies of Europe. But as the war progressed, the Luftwaffe fighter pilots faced another battle, the increasingly desperate war of attrition as the Allied air forces slowly, but inevitably, ground the German war machine into defeat. By early 1945 Allied air supremacy was overwhelming. And yet despite overwhelming odds, from within their ranks came the most successful air Aces ever to fly in combat - names such as Hans-Joachim Marseille, the top-scoring fighter pilot in the West, the legendary Erich Rudorffer who scored more multiple victories than any other pilot and of course the Fighter General, Adolf Galland, who achieved all of his 104 victories in the West. In total more than 100 Luftwaffe fighter pilots are known to have scored 100 or more victories, and 568 Jagdverbande flyers were holders of the Knight's Cross, Germany's highest awarded military honor. Robert Taylor's stunning painting, beautifully captures a group of Bf109Gs from III./JG26, as they return to their forward base after a long fighter sweep along the Channel coast in early 1944. In his unmistakable style, and with inordinate skill, Robert deftly evokes a moment of rare tranquility amidst the carnage of war as the lengthening sun glints across the frozen landscape during the short days of winter. |
Defiant but Doomed by Stan Stokes. Jagdeschwader 26, or JG 26, was one of the Lufwaffes elite fighter forces. Nicknamed the Abbeville Boys, or the Abbeville Kids,JG 26 gained tremendous notoriety early in the War while operating out of Abbeville in Northern France. Although JG 26 never operated with more than 124 fighter aircraft, the unit dominated its airspace over Northern France and Belgium for more than a two year period. Adolf Galland was one of Germanys top fighter aces of the War, with more than 100 confirmed victories. For most of his flying career Galland was associated with JG 26. By year-end 1940 he had attained 57 victories, and was awarded the Oak Leaves, the highest award of the time. Galland took over command of JG 26 in August 1940 during the Battle of Britain. In Stan Stokes painting, entitled Defiant, But Doomed, Galland is depicted during a mission with the Abbeville Kids on August 28, 1940. Flying low cover for a formation of Heinkel bombers Galland was shocked to see a squadron of 12 Royal Air Force Defiants flying directly below the bombers. The Defiant was a unique British aircraft which was utilized as a daylight fighter incorporating four machine guns enclosed in a top mounted hydraulic turret operated by a gunnery officer. Despite serving admirably during the Dunkirk evacuation, the Luftwaffe had devised tactics which made the Defiant only marginally successful. By utilizing its turret guns RAF 264 Squadron was preparing to decimate the Heinkels with an attack on their vulnerable underbellies. Climbing straight up into the formation Galland broke up the attack. Minutes later he was engaged with the Defiant piloted by 264 Squadron Commander Garvin. Although struck four times by the Defiants machine guns, Galland was ultimately victorious. Gallands JG 26 flew the Messerschmitt Bf-109 (also often referred to as the ME-109) of which over 30,000 were produced. The first large scale production model of the 109 was the E series. Powered by a 12 cylinder water cooled engine the 109e was capable of 360 MPH, and had a ceiling of 33,000 feet. The 109 was very maneuverable and had a very strong airframe capable of sustaining high G maneuvers. Utilizing a low-wing cantilever design, the 109 had retractable landing gear and initially was produced with fuselage mounted machine guns. Galland complained about this configuration and actually modified several of his aircraft to incorporate wing mounted machine guns, which would provide a wider field of fire. A few of these aircraft were utilized during the Spanish Civil War in 1939, and proved vastly superior to anything they faced. The 109, unlike many other fighters which were in service at the start of the War, remained effective for the entire War, and in fact became a de facto standard by which many other aircraft would be judged. Adolf Galland was promoted to General of the Fighter Arm in late 1941, and became preoccupied with fighter tactics for the duration of the War. |
Most Memorable Day by Robert Taylor. Adolf Galland and his wingman Bruno Hegenauer break through the fighter escort of No. 303 Squadrons Spitfires to attack Blenheim bombers of No. 21 Squadron over northern France, 21 June 1941. In two missions that day Galland claimed two Blenheims and one Spitfire, survived a forced crash-landing, and later a parachute escape from his blazing Me109. That evening he learned he was to become the first recipient of the Knights Cross with oak leaves and swords - Germanys highest award for heroism. |
Victory Above Dover by Ivan Berryman. Adolf Galland claimed his 16th victory on the afternoon of 25th July 1940 when Spitfires of 54 Sqn were bounced by Messerschmitt Bf.109s of Gallands III/JG26. A fierce battle ensued off Dover during which F/Lt Basil Wonky Way, flying R6707, found himself the subject of the great German aces attention, his stricken aircraft being observed to plunge into the sea after receiving numerous hits from the Bf.109s guns. F/Lt Way lost his life in the crash, presumed drowned. |
Winter Wolves by Nicolas Trudgian. On December 16th 1944, Hitler mounted the largest offensive in the west since 1940. It was his last desperate offensive of World War II. With Germanys industrial heartland in ruins, its factories pulverised by Allied air raids, and opposing armies advancing on two fronts, the Third Reich appeared on the verge of collapse. The sudden and fierce reposte caught the Allied forces by surprise, forcibly demonstrating Germanys ability and will to continue the war. It was the Fuhrers last great gamble, and when American and British forces recovered to smash the brutal offensive, Hitler had spent the last energies of his crumbling empire. That final, desperate assault became known as the Battle of the Bulge. At dawn on December 26th, pilots of the 1st and 4h Staffels of 1./Gruppe JG26 took off to provide cover for the forward Panzer divisions, which were coming under attack from P51 ground attack fighters. Although flying brand new Focke-Wulf Fw190Ds, on take off they immediately lost contact with their controllers, forcing the Gruppe to adopt Free Hunt tactics. It made no difference, they quickly found the opposition! This painting captures the Fw190s of JG26 at full tilt, as they power across the spectacular winter landscape in the Ardennes. Flying at tree top height to avoid radar detection, the Luftwaffe pilots hurtle above German tanks and trucks lumbering towards the battlefront. The early morning glow glistens in the crisp morning snow bringing an air of serenity to a poignant and historic scene. |
Me109 of JG26 by Graeme Lothian. (P) An Me109 makes a low flight over the English countryside during the Battle of Britain. This painting was a preliminary painting by Graeme in preparation for the larger painting entitled Fighter General. When Graeme traveled to Germany to have prints of Fighter General signed by some of the top German Aces, he took this painting with him, and they have signed it on the back of the canvas. |
Abbeville Boys by Robert Taylor. Adolf Gallands Fighter Wing JG-26 (Me109s) taking off to do combat with R.A.F. Spitfires and Hurricanes. If ever a fighter commander led the front, Adolf Galland did. He flew throughout the war, achieving over 100 air victories all on the Western Front aginst the top aces of the RAF and the USAAF, and when the end came he was still flying and fighting, leading a wing of Me262 jets. Perhaps the most memorable period of the war for Adolf Galland came after he took command of the III/JG-26 fighter wing in June 1940. In true fashion he scored two aerial victories on his first day and in no time transformed JG-26 Schlageter into an elite formation that became known as the Abbeville Boys. Robert Taylor has recreated a scene from those heady days in 1941, when the Abbeville boys were at the height of their reputation, doing daily combat with the Spitfires and Hurricanes of the RAF. Adolf Galland leads his pilots in a typical loose formation take-off, the Messerschmitt Bf109F fighters roaring across the runway for yet another clash with the foe. The Abbeville boys are on the Warpath! |
| Aces for : JG26 | ||
| A list of all Aces from our database who are known to have flown with this squadron. A profile page is available by clicking the pilots name. | ||
| Name | Victories | Info |
| Walter Krupinski | 197.00 | The signature of Walter Krupinski features on some of our artwork - click here to see what is available. |
| Anton Hackl | 192.00 | |
| Johannes Macky Steinhoff | 176.00 | The signature of Johannes Macky Steinhoff features on some of our artwork - click here to see what is available. |
| Emil Lang | 173.00 | |
| Joachim Muncheberg | 135.00 | The signature of Joachim Muncheberg features on some of our artwork - click here to see what is available. |
| Adolf Galland | 104.00 | The signature of Adolf Galland features on some of our artwork - click here to see what is available. |
| Josef Priller | 101.00 | |
| Heinrich Bartels | 99.00 | |
| Heinz Kemethmuller | 89.00 | |
| Wilhelm Philipp | 81.00 | |
| Georg-Peter Eder | 78.00 | |
| Josef Haibock | 77.00 | |
| Adolf Glunz | 72.00 | The signature of Adolf Glunz features on some of our artwork - click here to see what is available. |
| Klaus Mietusch | 72.00 | |
| Alfred Heckmann | 71.00 | |
| Heinz Lange | 70.00 | The signature of Heinz Lange features on some of our artwork - click here to see what is available. |
| Walter Hoeckner | 68.00 | |
| Fritz Losigkeit | 68.00 | The signature of Fritz Losigkeit features on some of our artwork - click here to see what is available. |
| Karl-Heinz Kempf | 65.00 | |
| Rolf Hermichen | 64.00 | |
| Hermann Staiger | 63.00 | |
| Wilhelm Freuworth | 58.00 | |
| Hugo Dahmer | 57.00 | The signature of Hugo Dahmer features on some of our artwork - click here to see what is available. |
| Johannes Seifert | 57.00 | |
| Wilhelm-Ferdinand Galland | 55.00 | |
| Karl Willius | 50.00 | |
| Gerhard Vogt | 48.00 | |
| Gerhard Schopfel | 45.00 | The signature of Gerhard Schopfel features on some of our artwork - click here to see what is available. |
| Johannes Schmid | 45.00 | |
| Wilhelm Hofmann | 44.00 | |
| Walter Matoni | 44.00 | |
| Karl Borris | 43.00 | |
| Rudolf Klemm | 42.00 | |
| Hans Dortenmann | 38.00 | |
| Fulbert Zink | 36.00 | |
| Johannes Naumann | 34.00 | The signature of Johannes Naumann features on some of our artwork - click here to see what is available. |
| Waldemar Soffing | 33.00 | |
| Gerd Wiegand | 32.00 | |
| Peter Crump | 31.00 | |
| Hermann Segatz | 31.00 | |
| Gustav Sprick | 31.00 | |
| Rolf Pingel | 30.00 | |
| Walter Adolph | 29.00 | |
| Kurt Ebersberger | 27.00 | |
| Wilhelm Mayer | 27.00 | |
| Emil Babenz | 24.00 | |
| Helmut Hoppe | 24.00 | |
| Horst Sternberg | 23.00 | |
| Artur Beese | 22.00 | |
| Otto Meyer | 22.00 | |
| Robert Menge | 22.00 | |
| Gunther Scholz | 22.00 | |
| Hans-Jurgen Westphal | 22.00 | |
| Hans Kiel | 20.00 | |
| Willi Roth | 20.00 | |
| Paul Schauder | 20.00 | |
| Erich Scheyda | 20.00 | |
| Walter Schneider | 20.00 | |
| Hans-Georg Dippel | 19.00 | |
| Peter Reischer | 19.00 | |
| Heinz Ebeling | 18.00 | |
| Walter Meyer | 18.00 | |
| Paul Galland | 17.00 | |
| Horst Ulenberg | 17.00 | |
| Karl Wunschelmeyer | 16.00 | |
| Hermann Guhl | 15.00 | |
| Walter Blume | 14.00 | |
| Wilhelm Gath | 14.00 | |
| Werner Gerhard | 13.00 | |
| Gunther Kelch | 13.00 | |
| Harry Koch | 13.00 | |
| Eduard Neumann | 13.00 | The signature of Eduard Neumann features on some of our artwork - click here to see what is available. |
| Johann Aistleitner | 12.00 | |
| Xaver Ellenrieder | 12.00 | |
| Heinz Gomann | 12.00 | |
| Franz Kunz | 12.00 | |
| Wolfgang Neu | 12.00 | |
| Peter Ahrens | 11.00 | |
| Joachim Gunther | 11.00 | |
| Georg Kiefner | 11.00 | |
| Erwin Leibold | 11.00 | |
| Erich Schwarz | 11.00 | |
| Herwig Knuppel | 11.00 | |
| Josef Burschgens | 10.00 | |
| Gunther Bloemertz | 10.00 | |
| Gerhard Guttmann | 10.00 | |
| Wilhelm Muller | 10.00 | |
| Robert Unzeitig | 10.00 | |
| Hans Krug | 10.00 | |
| Edgar Dorre | 9.00 | |
| Rudolf Leuschel | 9.00 | |
| Gerhard Schulwitz | 9.00 | |
| Willy Szuggar | 9.00 | |
| Josef Zirngibl | 9.00 | |
| Georg Beyer | 8.00 | |
| Heinrich Bierwirth | 8.00 | |
| Erwin Busch | 8.00 | |
| Kurt Hein | 8.00 | |
| Hermann Hoffmann | 8.00 | |
| Hans Johannsen | 8.00 | |
| Friedrich Lange | 8.00 | |
| Martin Rysavy | 8.00 | |
| Gottfried Schmidt | 8.00 | |
| Otto Stammberger | 8.00 | The signature of Otto Stammberger features on some of our artwork - click here to see what is available. |
| Heinz-Gunther Adam | 7.00 | |
| Karl Ebbinghausen | 7.00 | |
| Karl-Heinz Ehlen | 7.00 | |
| Walter Grunlinger | 7.00 | |
| Gerhard Grzymalla | 7.00 | |
| Eberhard Henrici | 7.00 | |
| Walter Holl | 7.00 | |
| Walter Horten | 7.00 | |
| Karl Laub | 7.00 | |
| Theo Lindemann | 7.00 | |
| Joachim Zeller | 7.00 | |
| Walter März | 7.00 | |
| Peter Andel | 6.00 | |
| Siegfried Benz | 6.00 | |
| Josef Gartner | 6.00 | |
| Heinrich Gottlob | 6.00 | |
| Hans Hartigs | 6.00 | |
| Otto-Heinrich Hilleke | 6.00 | |
| Heinrich Jessen | 6.00 | |
| Dieter Kehl | 6.00 | |
| Heinrich Vandeveerd | 6.00 | |
| Kurt Bohn | 5.00 | |
| Hans-Joachim Borreck | 5.00 | |
| Gottfried Dietze | 5.00 | |
| Hans Dirksen | 5.00 | |
| Johann Edman | 5.00 | |
| Hans-Joachim Fast | 5.00 | |
| Hans-Jurgen Frolich | 5.00 | |
| Erich Klein | 5.00 | |
| Friedrich Lindelaub | 5.00 | |
| Franz Luders | 5.00 | |
| Gerhard Muller-Duhe | 5.00 | |
| Wolfgang Polster | 5.00 | |
| Eckardt Roch | 5.00 | |
| Adolf Tabbat | 5.00 | |
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