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Royal Air Force
Aviation Art Prints Aviation Artists Gerald Coulson Royal Air Force |
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Low Level Encounter by Gerald Coulson. A Spitfire and an Me109 locked in battle pass a downed He111 low over the English countryside. |
Chariots of Fire by Gerald Coulson. Chariots of Fire depicts Spitfires of 610 squadron (County of Chester) engaging Messerschmitts 190E of the Luftwaffe over the South Coast of England, August 1940. |
The Lonely Sky by Gerald Coulson. A single Royal Flying Corps SE5 patrols the clouds above the trenches of the Western Front. |
Dambusters - The Morning After by Gerald Coulson. Just after midnight, on the night of 16/17 May 1943, Lancaster crews of 617 Squadron undertook what was to become the most remarkable and probably best remembered air raid of the Second World War. Flying all the way from their base in England in darkness at tree-top height, with just the light of the moon to guide them, the specially selected crews made a surprise attack on the mighty hydro-electric dams in the Ruhr. Flying specially modified aircraft, each Lancaster was equipped with the unique cylindrical hydro-statically detonated bomb as conceived by Barnes Wallis. This huge device when released from the aircraft flying at exactly 230mph and at the precise height of 60 ft spun onto the surface of the water. To achieve the critical height above the water at moment of release, two beams of light, from front and aft, were projected from the aircraft on to the surface of the water, creating a neat figure-of-eight on the surface below. As each bomb bounced across the water towards its target, it struck the dam wall, sank to the pre-set depth, and exploded. The results were devastating. Led by the mercurial Squadron Leader Guy Gibson, ignoring furious defensive gunfire while flying perilously close to the water, each crew made their precision run at the target, released their deadly bomb, and those lucky enough to survive the barrage of tracer shells and anti-aircraft fire, escaped into the darkness. Not all of them did. In the space of those few, highly charged minutes, the Lancaster crews of 617 Squadron wrote their names into history. Sixty-four years on, the memory of their exploits and the courage displayed by the crews on that historic raid, together with the genius of Bames Wallis, remain undimmed. Gerald Coulsons painting shows a single Lancaster of 617 Squadron, one of the lucky ones having made it safely back to base, proudly standing alone as if in tribute to those that didn't return. |
Dawn Sortie by Gerald Coulson. With its sleek, graceful design, instantly recognisable by its thin, aerodynamically advanced elliptical wings, the Supermarine Spitfire was the creation of R. J. Mitchell, an aeronautical creative genius. His fighter was to become not only the most important Allied aircraft of World War II, but the most famous British fighter in history. Mitchells design for the Spitfire was so fine that everyone who ever saw it, flew it, or fought in it was captivated for eternity. When American Eagle Squadron ace Jim Goodson transferred from Spitfires to fly his 4th Fighter Group P-47 Thunderbolt, he said it was like moving from a sports car to a truck. I fell in love with her the moment I was introduced. I was captivated by her sheer beauty; she was slimly built with a beautifully proportioned body and graceful curves just where they sohuld be; so said Lord Balfour, Britains under Secreatry of State for War in 1938, not of his wife but of the Spitfire. A sentiment echoed by generations of aviators and enthusiasts ever since. In the hands of an experienced pilot it was nearly invincible, and even legendary Luftwaffe leader Adolf Galland, when asked by Goering what he needed to overcome the RAF, replied: Give me a squadron of Spitfires!. Gerald Coulsons majestic painting captures a pair of Spitfire Mk1s at dawn high above the clouds over southern England in late 1940. An iconic tribute from the artist to the greatest fighter aircraft of all time. |
Lancaster Lift-Off by Gerald Coulson. Sold out at publisher. We have the last 170 remaining prints. |
First Flight by Gerald Coulson. On July 21st 1951 WB188, the Hawker PIO67 Prototype, made its first flight from Boscombe Down, flown by Hawker Chief Test Pilot and WWII fighter ace, Squadron leader Neville Duke DSO, OBE, DFC**, AFC. This historic aircraft went on to become the Hunter, one of Britains most successful fighter aircraft. Created under the guiding hand of famed Hawker designer Sydney Camm, the PI067 Hunter became the RAFs standard single seat fighter from 1954 until 1960. It was also the first British produced swept-wing fighter to serve in large numbers in the RAF. The maiden flight was successful with only minor problems. Due to the undercarriage light staying on Neville Duke took the decision not to exceed 19,000 ft or 350 knots. The P1067 was Hawkers first application of powered controls but British experience of this was very limited at that time. Consequently the elevator hydraulic power boost was disconnected but the ailerons remained in use.This meant that the pilot struggled to maintain control especially on landing. Neville Duke has fond memories of the aircraft, which has become synonymous with his name: Of the multitude of designs from the board of Sydney Camm over a period of 43 years the Hunter is arguably the most graceful of all. The saying if it looks right it will fly right applies to the Hunter and can be illustrated by the fact that within some ten test flights the aircraft was flying in excess of 700mph, as demonstrated at the SBAC Farnborough Show shortly after the first flight. Sydney Camm proclaimed it to be his most beautiful design and I am not alone in claiming it to be a pilots aeroplane, a view expressed amongst the fighter pilots of the 21 nations who flew this aircraft in operational service up until 1995. Our aim was to give the pilots a fighter without limitations and this unique clearance was obtained. Long may we see them in the air as a tribute to the genius of Sydney Camm and his design team. Some 2000 Hunters were produced in the UK, Holland and Belgium and many more refurbished for 14 nations and returned to service through-out the world. The Hunter continues to serve in non-operational roles in various services and establishments as well as in private hands. WB 188 now resides in the Tangmere Military Aviation Museum, West Sussex. This superb release by one of the masters of aviation art, Gerald Coulson, depicts the prototype on its historic first ever flight from Boscombe Down. |
Mission by Moonlight by Gerald Coulson. To commemorate this much-loved and incomparable aircraft, Gerald Coulsons evocative painting depicts a Mosquito B Mk. XVI, a high altitude bomber version, on operations deep over occupied Europe. In this guise the Mosquito was by far the fastest piston-engine bomber of World War II, and also the only light bomber capable of delivering the devastating 4,000lb block-buster bomb. |
Merlins Thunder by Gerald Coulson. The Avro Lancaster bomber of Bomber Command flies low over occupied Europe at speed thanks to the Merlin engines. |
Defence of the Capital by Gerald Coulson. High over London, Hurricanes of 85 Squadron engage Me109s in an intense dogfight during the heavy fighting of August 1940. |
Normandy Sunrise by Gerald Coulson. Here, in the brightening morning sky, Typhoons are prepared for the first sortie of the day. One has already fired up its big, powerful engine, blowing up whirlwinds of Normandy dust, ground crew hover, ready to remove chocks prior to taxi and take-off. A second is readied, while the remainder of the squadron, widely dispersed around the temporary field, are about to set about their deadly missions of the day. |
Band of Brothers by Gerald Coulson. Depicting an Avro Lancaster, Hawker Hurricane and Supermarine Spitfire, the backbone of the Royal Air Force during World War Two. |
In the Sunlit Silence by Gerald Coulson. Spitfire Mk1As of 92 Squadron. |
Thunder in the Hills by Gerald Coulson. Royal Air Force Jaguars spend most of their operational time at very low level. Sparsely populated areas such as the valleys of North Wales, Scotland and the lakes of Cumbria, provide ideal training areas to perfect the skills required to hide behind high ground and remain undetected by enemy radar. Flying at 250 ft and 500 mph, two Jaguar GR1s from No2 squadron on a low level reconnaissance exercise are the subject of this painting. |
Quartet by Gerald Coulson. The inspiration for this subject was principally the setting. A low sun turning the tops of towering cumulus to a soft ochre against a backdrop of azure. Through breaks in these massive clouds can be seen a landscape beginning to fade, greens and yellows changing to liquid blues and mauves. All that is now required to complete the picture are the lines of a beautiful aeroplane, provided here by four Spitfires on No.66 Sqn. The aircraft shown are LZ-M, LZ-N, LZ-K and LZ-X. LZ-X was flown by H R Dizzy Allen throughout the Battle of Britain. |
Evening Patrol by Gerald Coulson. During the early part of World War II the coastline of Britain was constantly under threat, particularly the busy shipping lanes of the North Sea. As well as carrying out bombing raids on strategic coastal targets and ports such as Luftflotte 5s attack on the north-east in August 1940, allied shipping was regularly attacked at sea as the Luftwaffe tried to disrupt supplies. The RAF played a vital part in protecting these supplies, escorting fishing fleets and shipping convoys, as well as long range patrols over the sea, seeking enemy activity and intercepting high altitude reconnaissance aircraft. These patrols were often long and arduous with pilots running the gauntlet of, if shot down, ditching into the sea. Often pilots would survive being hit and baling out, only to succumb to the freezing and hostile waters of the North Sea. Often fighter squadrons being rested during the Battle of Britain, would be moved to northern locations such as Acklington and Leconfield, and carry out coastal and sea patrols before returning to the more intense fighting in the south. Flying over the Humber Estuary as the sun is setting, pilots of 610 Sqn return their MKII Spitfires to Leconfield after a convoy patrol late in 1940. |
Off Duty Lancaster at Rest by Gerald Coulson. an all time classic image of the Lancaster bomber of Bomber ommand being prepared by the RAF ground crew. The ground crew showed their expertise and commitment in keeping these superb bombers ready and in top condition in all weather. In this atmospheric classic image, Gerald Coulson shows the gorund crew preparing the Lancaster, a great stalwart of Bomber Command during the second world war. A superb partner painting to the other classic Gerald Coulson image, Outbound lancaster. |
Moonlight Hunter by Gerald Coulson. No text for this item |
A Bolt for the Blue by Gerald Coulson. Gerald Coulson's dramatic painting Bolt for the Blue, published to commemorate the 50th anniversary of the first flight of the Lightning, captures the very essence of this formidable fighter. Seen climbing out of RAF Wattisham, a Lightning F.3 of Treble One Squadron scrambles to intercept an unidentified intruder plotted on the RAF's early warning radar. Almost certainly it will be Russian, probably he will be escorted out of harms way, but the interceptor is armed with a pair of air-to-air missiles just in case. A superb collector print for all who remember one of the greatest British fighters ever built. |
The Sinking of The Tirpitz by Gerald Coulson. One secondary market remarque print available, numbered 398 / 500. |
Guardian Angel by Gerald Coulson. As Britain holds itself ready for perhaps the greatest battle it has ever fought, a pair of Mk 1 Hurricanes of 213 Squadron set out from their base at Biggin Hill for an early morning patrol over the Channel, they could meet the enemy at any moment. As they cross the coast, they are joined in spirit by a 213 Squadron Sopwith Camel from an earlier conflict. With the Battle of Britain poised to begin the great task of defending the nation will fall upon their shoulders. But at least for today the spirit of their guardian angel will be at their side. |
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