|
|
|
|
|
 |
|||
|
|
|
|
|
|
|
|||
| Click Here For Full Artist Print Indexes | Aviation History Archive |
|
Aviation Art Prints  Aviation Artists More Artists  Watts, Robert |
| Robert Watts |
|
In a 25 year career beginning as an illustrator for the Ryan Aeronautical Company in 1966, Robert Watts has established an enviable reputation professionally illustrating for leading aerospace corporations, including Hughes, Teledyne, General Dynamics, and Northrop. In 1971 he was asked to join the Naval Art Program and served as a Naval Combat Artist during the Vietnam years. Turning to fine art painting just two years ago, he astonished the American aviation art world with the high quality of his paintings, taking the coveted BEST OF SHOW award at the 1992 A.S.A.A. exhibition at his very first attempt. Winning the award two consecutive years, in competition with Americas finest aviation artists, is a feat no other artist has ever achieved, and gives notice that a new star has firmly established himself on the aviation art scene. |
| Robert Watts Aviation Art Prints, Paintings and Drawings Aviation Art |
|
|
|
|
| Text for the above items : |
Flagship Over Manhattan by Robert Watts. An American Airlines DC-3, one of the 29 in service by 1936 with right hand doors, outbound from La Guardia Airport. |
Hunting Party by Robert Watts. Mig Alley! That chilling destination synonymous with the dawn of the jet ages first large-scale air battles; deadly contests fought at unprecedented speeds in an aerial battleground in the thin air high above a hostile faraway land. Quick to react to the Communist invasion of South Korea, American fighter pilots, many already World War II Aces, were more than able to meet the North Korean challenge flying their trusty P-51 Mustangs, and two new jets, the F-80 Shooting Star and the F9F Panther. All that changed one bright November day: a patrol of P-51s were pounced upon by shiny new swept wing fighters bearing the Red Star of the Chinese Air Force, and as the flight of Russian-built MiG-15s hurtled past at near supersonic speed, it became evident that America would have to move its new F-86 Sabre into the front line. When the two new planes finally met in combat over Korea, so alike was their configuration and performance, it was difficult to tell them apart. The MiGs high rate of climb and service ceiling gave it an advantage, but the manoeuvrability and rock-steady response of the F-86 was an edge in a dogfight. The real difference was the pilots! Fighting with the disadvantage of having to fly 200 miles to the battle zone, the skill and courage of the F-86 pilots has become legend. With speeds often nudging the sound barrier, and performing combat manoeuvres at 600 m.p.h. imposing crushing G-forces, the F-86 pilots ran up a spectacular kill ratio of 8:1 against the MiGs. In Robert Watts powerful painting, the frosty morning air is shattered by a hunting party of F-86 Sabres of the U.S. 51st Fighter-Interceptor Wing, as they blast off the runway at Kimpo airfield, South Korea. Led by Gabby Gabreski, they are headed north to the Yalu River, and Mig Alley. |
Flying the Jolly Roger by Robert Watts. A pair of Navy F-4 Phantoms of VF84 prepare to recover aboard the carrier U.S.S. Independence. A beautifully proportioned painting by one of the most accomplished American aviation artists, provides a spectacular view of the legendary Phantom. Seen against a beautiful Yankee Station sundown, an element of F-4s decelerate in preparation for deck landing, following a combat mission m 1965. Revered by all who flew it, the classic F-4 Phantom served the Navies and Air Forces of more Western world countries than any other combat jet. Robert Watts superb print edition pays tribute to this legendary aircraft, as it phases out of front-line duties after over 30 years of service. |
Early Morning Arrival by Robert Watts. Robert Watts captures the romance of that golden era of passenger flight in his nostalgic painting of a L-1049 Constellation. Seen in American Airlines colors, a Connie descends over London in the soft early morning light after an overnight flight from New York. Without todays constraints of air traffic control, pilots had some latitude with the routes and altitudes they flew, and on this particular morning the pilot takes advantage of a beautiful sunrise to give his passengers a view of London and the winding river Thames, as he turns west for a landing into Londons Heathrow airport. |
|
Contact Details |
|
Sign Up To Our Newsletter!
This website is owned by Cranston Fine Arts. Torwood House, Torwoodhill Road, Rhu, Helensburgh, Scotland, G848LE Contact: Tel: (+44) (0) 1436 820269. Email: cranstonorders -at- outlook.com
|
|
|
