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Aviation Art Prints  Aviation Artists  Nicolas Trudgian |
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Cranston Fine Arts have now taken over all remaining stocks of Nicolas Trudgian prints from his previous publishers. We have made available a great many prints that had not been seen for many years, and have uncovered some rarities which lay unnoticed during this transition. Having graduated from art college, Nicolas Trudgian spent many years as a professional illustrator before turning to a career in fine art painting. His crisp style of realism, attention to detail, compositional skills and bright use of colours, immediately found favour with collectors and demand for his original work soared on both sides of the Atlantic. Today, more than a decade after becoming a fine art painter, Nicolas Trudgian is firmly established within a tiny, elite group of aviation artists whose works are genuinely collected world-wide. When he paints an aircraft you can be sure he has researched it in every detail and when he puts it over a particular airfield, the chances are he has paid it a recent visit. Even when he paints a sunset over a tropical island, or mist hanging over a valley in China, most probably he has seen it with his own eyes. Nick was born and raised in the seafaring city of Plymouth, the port from which the Pilgrim Fathers set sail in 1620, and where Sir Francis Drake played bowls while awaiting the Spanish Armada. Growing up in a house close to the railway station within a busy military city, the harbour always teeming with naval vessels and the skies above resonating with the sounds of naval aircraft, it was not at all surprising the young Nick became fascinated with trains, boats and aircraft. It was from his father, himself a talented artist, that Nick acquired his love of drawing and surrounded by so much that was inspiring, there was never a shortage of ideas for pictures. His talent began to show at an early age and although he did well enough at school, he always spent a disproportionate amount of time drawing. People talked about him becoming a Naval officer or an architect but in 1975 Nick's mind was made up. When he told his careers teacher he wanted to go to art school the man said, 'Now come on, what do you really want to do? After leaving school Nick began a one-year foundation course at the Plymouth College of Art. Now armed with an impressive portfolio containing paintings of jet aircraft, trains, even wildlife, he was immediately accepted at every college he applied to join. He chose a course at the Falmouth College of Art in Cornwall specialising in technical illustration and paintings of machines and vehicles for industry. It was perfect for Nick, and he was to become one of the star pupils. One of the lecturers commented at the time: Every college needs someone with a talent like Nick to raise the standards sky high; he carried all the other students along with him, and created an effect which will last for years to come. Two weeks after leaving art college Nick blew every penny he had on a trip to South Africa to ride the great steam trains across the desert, sketching them at every opportunity. Returning to England, in best traditions of all young artists, he struggled to make a living. Paintings by an unknown artist didn't fetch much despite the painstaking effort and time Nick put into each work, so when the college he had recently left offered him a job as a lecturer, he jumped at the chance. The money was good and he discovered that he really enjoyed teaching. Throughout the 1970s Nick was much involved with a railway preservation society near Plymouth and it was through the railway society that he had his first pictures reproduced as prints. But Nick felt he needed to advance his career and in summer 1985 Nick moved away from Cornwall to join an energetic new design studio in Wiltshire. Here he painted detailed artwork for many major companies including Rolls Royce, General Motors, Volvo Trucks, Alfa Romeo and, to his delight, the aviation and defence industries. He remembers the job as exciting though stressful, often requiring him to work right through the night to meet a client's deadline. Here he learned to be disciplined and fast. Towards the end of the 1980's Nick had the chance to work for the Military Gallery. This was the break that for years he had been striving towards and with typical enthusiasm, flung himself into his new role. After completing a series of aviation posters, including a gigantic painting to commemorate the seventy-fifth anniversary of the Royal Air Force, Nick's first aviation scene to be published as a limited edition was launched by the Military Gallery in 1991. Despite the fact he was unknown in the field, it was an immediate success. Over the past decade Nick has earned a special reputation for giving those who love his work much more than just aircraft in his paintings. He goes to enormous lengths with his backgrounds, filling them with interesting and accurate detail, all designed to help give the aircraft in his paintings a tremendous sense of location and purpose. His landscapes are quite breathtaking and his buildings demonstrate an uncanny knowledge of perspective but it is the hardware in his paintings which are most striking. Whether it is an aircraft, tank, petrol bowser, or tractor, Nick brings it to life with all the inordinate skill of a truly accomplished fine art painter. A prodigious researcher, Nick travels extensively in his constant quest for information and fresh ideas. He has visited India, China, South Africa, South America, the Caribbean and travels regularly to the United States and Canada. He likes nothing better than to be out and about with sketchbook at the ready and if there is an old steam train in the vicinity, well that's a bonus! |
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Heaven Can Wait by Nicolas Trudgian. B-17 Fortresses of the Bloody Hundredth- the Eighth Air Forces 100th Bomb Group - return to Thorpe Abbotts following a raid on enemy oil refineries, September 11, 1944. Nicolas Trudgians moving tribute to the Bloody Hundredth shows the imaginatively named B-17, Heaven Can Wait, on final approach to Thorpe Abbotts after the intense battle on September 11, 1944. Skilfully piloted by Harry Hempy, the seriously damaged B-17G has struggled 500 miles home on two engines to make it back to England. They lost their tail gunner that fateful day. Below the descending bomber stream, an agricultural traction engine peacefully ploughs the wheat stubble in preparation for next year's vital crop, the farm workers oblivious to the unimaginable traumas so recently experienced by the crews of the returning B-17 Fortresses. Signed by four pilots and crew who flew with the 100th Bomb Group in Europe during World War II. Published in 1999 - Issue price was £120. |
Twilight Conquest by Nicolas Trudgian. The Black Widow is a formidable creature. It lurks in the dark, carefully chooses its moment of attack and strikes unseen, cutting down its prey with deadly certainty. Northrop could not have chosen a more apt name with which to christen their new night fighter when the P61 Black Widow entered service in the spring of 1944. The first aircraft designed from the start as a night fighter, the P61 had the distinction of pioneering airborne radar interception during World War II, and this remarkable twin engined fighter saw service in the ETO, in China, the Marianas and the South West Pacific. Under the command of Lt Col O B Johnson, one of the P61s greatest exponents, the 422nd Night Fighter Squadron was the leading P61 outfit in the ETO, destroying 43 enemy aircraft in the air, 5 buzz bombs and hundreds of ground based vehicles, becoming the most successful night fighter squadron of the war. Flying a twilight mission in his P-61 Black Widow on October 24, 1944, Colonel Johnson and his radar operator have picked up a formation of three Fw190s, stealthily closing on their quarry in the gathering dusk, O.B. makes one quick and decisive strike, bringing down the enemy leader with two short bursts of fire. Banking hard, as the Fw190 pilot prepares to bale out, he brings his blazing guns to bear on a second Fw190, the tracer lighting up the fuselage of his P-61. |
Safe Haven by Nicolas Trudgian. Returning from a dogfight raid over Germany, B-24s of 93rd Bomb Group fly low over an East Anglian fishing village on Britains east coast. |
Flying Tiger by Nicolas Trudgian. Part of a small print series of six American WW2 aircraft, signed by some of the great American pilots, some no longer with us. Cranston Fine Arts have purchased the last remaining stocks of this aviation series. |
Squadron Scramble by Nicolas Trudgian. Hurricanes of 43 Squadron scramble from an airfield in southern England during the height of the Battle of Britain, 1940. The R.A.F.s first 300mph fighter, the Hurricane proved itself a formidable aerial gun platform, its pilots accounting for four-fifth of all the air victories achieved by the R.A.F. during the Battle of Britain. |
One - Tens Over Kent by Nicolas Trudgian Messerschmitt Me110s and 109s of the Luftwaffes 210 Gruppe based at Calais-Marck in northern France, make a low-level run across the Kent countryside after a surprise attack on R.A.F. Biggin Hill, August 30, 1940 |
Ice Warriors by Nicolas Trudgian. The Green Heart Warriors carried their famous emblem throughout almost every European theatre during World War Two. Having fought with distinction in the Battle of Britain, JG54 transferred to the Eastern Front, where it was to acheive historic success. Becoming one of the most successful combat wings of the war, JG54 spawned a succession of top fighter Aces, no fewer than 20 achieving more than 100 air victories, its pilots collecting an impressive 58 Knights Cross awards. Flying both Fw190s and Me109s, JG54 took part in the heavy air fighting in the northern region of the Russian Front, where conditions were not for the faint hearted and demanded exceptional piloting skills. One young Austrian pilot, Walter Nowotny, won a reputation even among Allied pilots, and during the summer of 1943 became a virtual one-man air force in the skies above the Eastern Front. In June 1943 he shot down 41 aircraft, 10 in one day. In August he collected a further 43 air victories, and another 45 the following month. In a dgo-fight in October Nowotny shot down a P-40 fighter to record an astounding 250 air victories, becoming the first fighter pilot in history to acheive this score. It is February 1943, the countryside deep in snow, and the temperature well below freezing as Leutnant Walter Nowotny, Staffelkapitan of 1./JG54, taxis White One out from a crowded dispersal on to the snow covered runway at Krasnogvardeisk. With their temporary whitewash colour scheme glinting in the early morning sunlight, the FW190A-4s pose a menacing spectacle as they line up to follow the fighters of 2./JG54, already airborne, into the cold morning air. Published 2002 Signed by three famous Luftwaffe Aces who flew with JG54 Green Hearts. |
Eagle Attack by Nicolas Trudgian Typical of great air battles fought in the skies above occupied Europe were the determined interceptions by Luftwaffe fighters, particularly upon the massed daylight raids mounted by the American Eighth Air Force. Major Herman Graf, Gruppenkommandeur of JG50, and Oberleutnant Alfred Grislawski, Staffelkapitan of 1./JG50, flying Me109G-6s lead an attack on B-17 Flying Fortresses of the 91st Bomb Group, high over Germany in early September 1943. |
Homeward Bound by Nicolas Trudgian. No single raid during World War Two has attracted more discussion, analysis, features, books, interviews, or been the subject of more films, documentaries, and TV programmes than the famous attack mounted by the RAFs 617 Squadron upon the mighty hydroelectric dams in Westphalia, on the night of 16/17 May, 1943. Led by Wing Commander Guy Gibson, nineteen specially adapted Lancaster bombers, manned by 133 aircrew, culminated months of secret training when they made one of the most audacious raids of the war. Flying at tree-top height in darkness, and doing their best to avoid electricity pylons and other obstructions, they navigated their way deep into occupied territory. Their targets were the huge Mohne, Sorpe, Ennepe, and Eder Dams that powered Germanys huge industrial factories in the heartland of the Rhur. Each bomber had to avoid enemy flak and fighters en route, locate their target, descend to precisely 60 feet above the water then, in the face of a barrage of anti-aircraft fire, release their single unique 10,000 lb hydrostatic bomb at exactly the right moment. There was no margin for error, and there was no place for faint hearts. Eight of the crews that left RAF Scampton that night were never to return. Of the fifty-six aircrew on board only two survived. Though nearly half the skilled crews that made up 617 squadron were lost, they recorded one of the most successful and daring air raids of the war- a costly endeavour, but one that has become legend in the annals of aerial warfare. Nicolas Trudgians emotive painting Homeward Bound depicts Dave Shannons Lancaster AJ-L, dodging the searchlights low over the Dutch landscape, as he returns from the Eder Dam following the part he and his crew played in the famous raid on that moonlight night in May, 1943. Published 2000. |
Operation Tidal Wave by Nicolas Trudgian. At first light on August 1st, 1943 a force of 178 B-24 Liberator bombers lifted off dusty airstrips in the Libyan desert. They were to fly a 2000 mile round-trip deep into enemy territory, bomb a heavily defended target, and return to their North African base - without fighter escort. So began one of the bloodiest and heroic missions in the annals of aerial warfare. The target - the oil refineries at Ploesti. One third of Germany's petroleum products were supplied from Ploesti, situated deep in Rumania and well beyond the range of Allied bombers based in England. Deprived of this vital supply of fuel, Germany's mighty war machine would grind to a halt. The high command were aware of this and the installations at Ploesti were defended accordingly. To attack such a heavily defended target with the required degree of accuracy it was necessary to bomb from a perilously low level, a task for which the B-24 was notoriously unsuited. The mission called for inspired leadership, cool determination and courage beyond the call of duty - and all of these were given in plenty. As the first wave of bombers roared into the target, some as low as 50 feet, the German defenses opened up with a barrage of fire. Within moments the entire area erupted with exploding bombs, bursting shells, gushing flames and billowing palls of smoke. One by one the gallant crews took their aircraft through the intense wall of Ack-Ack and 88mm ground fire, and into the burning inferno to deliver their deadly cargo. Of the 178 B-24s dispatched, 52 were lost and all but 35 aircraft suffered damage, one limping home after 14 hours and holed in 365 places. Ploesti witnessed countless acts of heroism, for which the crews received more decorations for bravery than any other mission of the war. |
First Strike on Berlin by Nicolas Trudgian. The first successful daylight raid on Berlin. Nicolas Trudgians painting relives the fearsome aerial combat on March 6, 1944, as B-17 Flying Fortresses of the 100th B.G. are attacked. Screaming in head-on, Fw190s of II./JG I charge into the bomber stream. With throttles wide open, 56th Fighter Group P-47 Thunderbolts come hurtling down to intercept. B-17 gunners are working overtime, the air is full of cordite, smoke, jagged pieces of flying metal and hot lead. We are in the midst of one of the fiercest aerial battles of the war. |
Texas Raiders by Nicolas Trudgian. Issued to help raise funds for B-17 'Texas Raiders' of the Gulf Coast Wing, Houston, Texas. |
Ruhr Valley Invaders by Nicolas Trudgian. When the seasoned B-26 crews of the 386th Bomb Group took delivery of their Douglas A-26 Invader aircraft in September 1944, the arrival of their new fast attack bombers neatly coincided with a move to France. Now based at Beaumont-sur-Oise, they were able to penetrate deep into enemy territory. The three man crews took part in the Battle of the Bulge, their twin engined aircraft being well suited to their task of destroying strategic bridges and cutting vital supply lines. After the Ardennes Campaign, now fully equipped with the A-26, the 386th BG continued to strike hard against important targets in Germany, the nimble handling characteristics of the aircraft making low-level attacks a speciality. As the Allies advanced upon Germany the 386th moved to St. Trond in Belgium, their base at the time of Nicolas Trudgians dramatic painting. Arriving at high speed over the busy German rail yard in the heart of the Ruhr Valley, barely skimming the nearby factory chimney stacks on the way into the target, the A-26 crews on the 386th deliver a devastating blow, leaving a trail of destruction in their wake. With bombs away, the Invader crews strafe the area with their battery of ten forward-firing .50 cal. machine guns, the roar of their twin 2000hp engines heightening the tension and confusion on the ground. Published 2000. Signed by three distinguished A-26 Invader aircrew who flew the A-26 in combat during World War II. |
Hunter Force by Nicolas Trudgian. A pair of Hawker Hunter Mk9 jets from No.58 Squadron R.A.F. based at R.A.F. Wittering are seen climbing over the south coast of England in 1973. |
Mosquitos Over the Rhine by Nicolas Trudgian. Mosquitos from No 105 Squadron R.A.F. based at Marham, Norfolk, England, on a low-level intruder strike over the Rhine river, Germany in December 1942. |
Winter Combat by Nicolas Trudgian. Hannes Trautloft in his FW190 leading his famous JG54 bring down a Russian Petlyakov Pe-2 on the Eastern Front in 1943. This dramatic painting is set in a superb winter landscape. |
Black Devil by Nicolas Trudgian. (B) Top-scoring ace of all time, Erich Hartmann, scrambles his black tulip nose Me109 from a snow-covered airfield on the Eastern Front. Christened Black Devil by Russian pilots, many of whom hurriedly vacated the vicinity when Hartmanns distinctively painted fighter appeared. Hartmann ended the war with 352 air victories. |
Winter Wolves by Nicolas Trudgian. On December 16th 1944, Hitler mounted the largest offensive in the west since 1940. It was his last desperate offensive of World War II. With Germanys industrial heartland in ruins, its factories pulverised by Allied air raids, and opposing armies advancing on two fronts, the Third Reich appeared on the verge of collapse. The sudden and fierce reposte caught the Allied forces by surprise, forcibly demonstrating Germanys ability and will to continue the war. It was the Fuhrers last great gamble, and when American and British forces recovered to smash the brutal offensive, Hitler had spent the last energies of his crumbling empire. That final, desperate assault became known as the Battle of the Bulge. At dawn on December 26th, pilots of the 1st and 4h Staffels of 1./Gruppe JG26 took off to provide cover for the forward Panzer divisions, which were coming under attack from P51 ground attack fighters. Although flying brand new Focke-Wulf Fw190Ds, on take off they immediately lost contact with their controllers, forcing the Gruppe to adopt Free Hunt tactics. It made no difference, they quickly found the opposition! This painting captures the Fw190s of JG26 at full tilt, as they power across the spectacular winter landscape in the Ardennes. Flying at tree top height to avoid radar detection, the Luftwaffe pilots hurtle above German tanks and trucks lumbering towards the battlefront. The early morning glow glistens in the crisp morning snow bringing an air of serenity to a poignant and historic scene. |
The Last Offensive by Nicolas Trudgian. Herbert Ihlefeld leads the Fw190s of JG1 over the Ardennes during the last great offensive by German forces in the west on Christmas Eve, 1944. |
Battle of Kursk by Nicolas Trudgian. (B) On 5 July, 1943 over 6000 German and Russian tanks clashed near the town of Kursk, just 300 miles south of Moscow. It was the beginning of what became the greatest tank battle in history. In the skies above this conflagration, an air battle of monumental proportions raged, with the German and Russian air forces locked in combat. This was war on a scale hitherto never imagined. A full week later the Battle was still raging, reaching a crescendo on 12 July when Hoths 4th Panzer Army met head-on with Rotmistrovs 5th Guards Tank Army near the village of Prokhorovka. With the Russian T34s electing to fight at close quarters, so desperate was the fighting that opposing tanks resorted to ramming each other. As the battle moved across the landscape all became utter confusion. Playing a major role in the air were the Luftwaffes Ju-87 Stukas, equipped with massive 37mm cannons slung under their wings. Led by Hans-Ulrich Rudel, the legendary Stuka pilot, these formidable tank-busters made a significant contribution to the Battle of Kursk. Nicolas Trudgians painting records the dramatic events at Kursk in a spectacular rendition that captures the very essence of this mighty land and air battle. Dominating the scene are a pair of Ju-87s. Having knocked out two T34s, they weave over the landscape as they try to avoid the attentions of Russian Yak 9s, the gunner of Rudels aircraft - in the foreground - blazing away with his machine gun. A pair of Fw190s have entered the fray, and the air is filled with smoke and cordite. In a typically detailed Nicolas Trudgian landscape, below the aerial contest Russian and Panzer tanks are seen in close combat, desperately maneuvering to gain some advantage. The old farm buildings show the ravages of war; tank tracks crisscross the fields, stretching into the distance where the battle extends to the horizon. A masterpiece in military art. |
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