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Aviation Art Prints Aviation Artists Nicolas Trudgian |
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Cranston Fine Arts have now taken over all remaining stocks of Nicolas Trudgian prints from his previous publishers. We have made available a great many prints that had not been seen for many years, and have uncovered some rarities which lay unnoticed during this transition. Having graduated from art college, Nicolas Trudgian spent many years as a professional illustrator before turning to a career in fine art painting. His crisp style of realism, attention to detail, compositional skills and bright use of colours, immediately found favour with collectors and demand for his original work soared on both sides of the Atlantic. Today, more than a decade after becoming a fine art painter, Nicolas Trudgian is firmly established within a tiny, elite group of aviation artists whose works are genuinely collected world-wide. When he paints an aircraft you can be sure he has researched it in every detail and when he puts it over a particular airfield, the chances are he has paid it a recent visit. Even when he paints a sunset over a tropical island, or mist hanging over a valley in China, most probably he has seen it with his own eyes. Nick was born and raised in the seafaring city of Plymouth, the port from which the Pilgrim Fathers set sail in 1620, and where Sir Francis Drake played bowls while awaiting the Spanish Armada. Growing up in a house close to the railway station within a busy military city, the harbour always teeming with naval vessels and the skies above resonating with the sounds of naval aircraft, it was not at all surprising the young Nick became fascinated with trains, boats and aircraft. It was from his father, himself a talented artist, that Nick acquired his love of drawing and surrounded by so much that was inspiring, there was never a shortage of ideas for pictures. His talent began to show at an early age and although he did well enough at school, he always spent a disproportionate amount of time drawing. People talked about him becoming a Naval officer or an architect but in 1975 Nick's mind was made up. When he told his careers teacher he wanted to go to art school the man said, 'Now come on, what do you really want to do? After leaving school Nick began a one-year foundation course at the Plymouth College of Art. Now armed with an impressive portfolio containing paintings of jet aircraft, trains, even wildlife, he was immediately accepted at every college he applied to join. He chose a course at the Falmouth College of Art in Cornwall specialising in technical illustration and paintings of machines and vehicles for industry. It was perfect for Nick, and he was to become one of the star pupils. One of the lecturers commented at the time: Every college needs someone with a talent like Nick to raise the standards sky high; he carried all the other students along with him, and created an effect which will last for years to come. Two weeks after leaving art college Nick blew every penny he had on a trip to South Africa to ride the great steam trains across the desert, sketching them at every opportunity. Returning to England, in best traditions of all young artists, he struggled to make a living. Paintings by an unknown artist didn't fetch much despite the painstaking effort and time Nick put into each work, so when the college he had recently left offered him a job as a lecturer, he jumped at the chance. The money was good and he discovered that he really enjoyed teaching. Throughout the 1970s Nick was much involved with a railway preservation society near Plymouth and it was through the railway society that he had his first pictures reproduced as prints. But Nick felt he needed to advance his career and in summer 1985 Nick moved away from Cornwall to join an energetic new design studio in Wiltshire. Here he painted detailed artwork for many major companies including Rolls Royce, General Motors, Volvo Trucks, Alfa Romeo and, to his delight, the aviation and defence industries. He remembers the job as exciting though stressful, often requiring him to work right through the night to meet a client's deadline. Here he learned to be disciplined and fast. Towards the end of the 1980's Nick had the chance to work for the Military Gallery. This was the break that for years he had been striving towards and with typical enthusiasm, flung himself into his new role. After completing a series of aviation posters, including a gigantic painting to commemorate the seventy-fifth anniversary of the Royal Air Force, Nick's first aviation scene to be published as a limited edition was launched by the Military Gallery in 1991. Despite the fact he was unknown in the field, it was an immediate success. Over the past decade Nick has earned a special reputation for giving those who love his work much more than just aircraft in his paintings. He goes to enormous lengths with his backgrounds, filling them with interesting and accurate detail, all designed to help give the aircraft in his paintings a tremendous sense of location and purpose. His landscapes are quite breathtaking and his buildings demonstrate an uncanny knowledge of perspective but it is the hardware in his paintings which are most striking. Whether it is an aircraft, tank, petrol bowser, or tractor, Nick brings it to life with all the inordinate skill of a truly accomplished fine art painter. A prodigious researcher, Nick travels extensively in his constant quest for information and fresh ideas. He has visited India, China, South Africa, South America, the Caribbean and travels regularly to the United States and Canada. He likes nothing better than to be out and about with sketchbook at the ready and if there is an old steam train in the vicinity, well that's a bonus! |
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Dragons of Colombert by Nicolas Trudgian In the summer of 1940, JG3, under the command of Hans von Hahn, scramble their Me109s from their French countryside base at Colombert, near Calais. With the deafening sound of their piston-engined aircraft, sporting the groups colourful Dragon emblem on their cowlings, they head for the battle front. Published 2000. |
Heroes Return by Nicolas Trudgian. In a classic image of wartime England, Mk V Spitfires, symbol of the RAF, defiant against the threat of the Luftwaffe return to their base in the heart of the beautiful rolling English countryside. |
Moonlight Hunter by Nicolas Trudgian. As the air war raged over Berlin and other German cities, night-fighter units such as NJG100, the original Eastern front night fighter Geschwader, were redeployed nearer home in the final desperate defence of Germany. By late 1944 the Luftwaffes night fighting aircraft were being flown by experienced crews using sophisticated electronic equipment and, though fighting a losing battle, had become the scourge of the RAFs night raiders. A Junkers Ju88 G-6, piloted by major Paul Zorner, Gruppenkommandeur III./NJG100, based at Stubendorf, intercepts and badly damages a four-engined Lancaster of R.A.F. Bomber Command over Germany in late 1944. Shedding debris and trailing flames, there may just be time for the crew to bale out before the mightly bomber falls away into the dark abyss. With the aid of his FuG220 and upward firing Schrage Musik armament, Zorner has stalked his prey, and attacked from beneath unseen. The crew of this Lancaster didn't stand a chance, and with the moonlight briefly glinting on his aircraft, the accomplished Ju88 pilot slips away into the darkness of the night. |
Guardian of the Convoy by Nicolas Trudgian. A limited edition print issued in part to raise funds for The Maritime Air Trust project 'Constant Endeavour'. A commemorative tribute to be erected in Westminster Abbey to all who served in RAF Coastal Command and their successors, together with the overseas squadrons and those from the Commonwealth and Allied Air Forces. |
Hurricane Country by Nicolas Trudgian. Released on the 65th Anniversary of the Battle of Britain a new limited edition to commemorate Churchills famous few. Stalwart of the Battle of Britain, the Hawker Hurricane equipped the majority of the RAF squadrons that defended Britain during that epic and decisive air battle in the summer of 1940. At the forefront of the air fighting over the southern counties of England, the young Hurricane pilots of 501 Squadron covered themselves in glory. Nicolas Trudgians painting sets the scene: a victim of yesterdays aerial conflicts, a crashlanded German Ju88 of KG30 lies on the edge of a Sussex field; the attention of two members of the local Home Guard is drawn to the Hurricanes of 501 Squadron as the fighters race back at low-level to Gravesend for fuel and ammunition. Within minutes they will scramble aloft again to rejoin the fray. Published 2005. |
Mountain Wolf by Nicolas Trudgian Set in a spectacular mountain scene, Nicolas Trudgians print records the last days of air combat as World War II drew to a close. The most feared of the Luftwaffes remaining units were those equipped with the remarkable Me262 fighter jet, but they were vulnerable to attack during take-off and landing. Commanding JV-44, General Galland countered the threat by employing Fw190 Dora 9s to fly top cover. Nicolas Trudgians painting depicts the colourful Fw190 of Hptm Waldermar Wubke of JV-44 as he prepared to scramble Red Three at Ainring airfield in may 1945. Published 2000. Signed by two Luftwaffe Knights Cross holders who flew the Fw190D-9 operationally during World War II. |
Typhoons at Falaise by Nicolas Trudgian. It is August 1944, barely two months since the Allies landed their first troops on the beaches of Normandy. Already the German Panzer Divisions are in full retreat, and it is critical to halt them before they can regroup. Caught in the Gap at Falaise, the battle was to be decisive. Flying throughout a continuous onslaught, rocket-firing Typhoons kept up their attacks on the trapped armoured divisions from dawn to dusk. The effect was devastating: at the end of the ten day battle the 100,000 strong German force was decimated. Typhoons of 198 Squadron RAF, deliver their deadly rocket and cannon fire, a tank column has been brought to a standstill, their reign of terror now almost at its end. |
Return to Rattlesden by Nicolas Trudgian. With their crews, the 447th Bomb Group B-17 Fortresses arrived at Rattlesden in late 1943, the East Anglian base from which the group flew all its missions until the end of the war. Entering combat on December 24, the 447th targeted submarine pens, naval installations, ports and missile sites, airfields and marshalling yards in France, Belgium and Germany in preparation for the Normandy invasion. In the thick of the bomber offensive, the 447th took part in the Big-Week raids, supported the D-Day landings, aided the breakthrough at St. Lo, pounded enemy positions during the airborne invasion of Holland, and dropped supplies to the Free French forces fighting behind enemy lines. During the Battle of the Bulge, December 1944 - January 1945, the group attacked marshalling yards, railroad bridges and communications centers in the combat zone, later resuming their offensive against targets deep inside Germany. When the war ended the 447th had flown over 257 individual missions, with one of their aircrew, Robert Femoyer, being awarded the Medal of Honor. Theirs was typical of the action packed campaigns flown by the American Eighth Air Force bomb groups in Europe during WWII. Published 2001. Signed by eight combat crew veterans flying B-17 Flying Fortresses for the 447th BG out of Rattlesden, England, during World War II. |
Tokyo Bound by Nicolas Trudgian. On April 18, 1942, under the leadership of Lieutenant Colonel Jimmy Doolittle, a small force of B-25 Mitchell light bombers set forth on one of the most audacious air raids of World War II. Launching in a rough sea from the heaving deck of the carrier USS Hornet, the crews knew that even if they achieved success, they were not to return. Their mission to bomb Tokyo and other industrial targets some 800 miles distant would leave them barely enough fuel to fly on to crash-land in China. Nine aircraft were attacked by enemy fighters, every one made it to the target, all but one aircraft were lost. But the raid was a triumph. The Japanese High Command were so alarmed by the Americans ability to strike at their homeland they attempted to expand the perimeter of activity in the central and southern Pacific - with disastrous results. Lt. Col. Doolittle was awarded the Congressional Medal of Honor in recognition of the extraordinary feat he and his gallant crews performed. Miraculously most survived to fly and fight again later in the war, Jimmy Doolittle going on to command the Eighth Air Force in Europe at the time of the Normandy invasion. |
B-17 Flying Fortress by Nicolas Trudgian. Part of a small print series of six American WW2 aircraft, signed by some of the great American pilots, some no longer with us. Cranston Fine Arts have purchased the last remaining stocks of this aviation series. |
Eagles of the Eighth by Nicolas Trudgian. Major Jim Goodson taxies his 4th (The Eagles) Fighter Group P-51 D Mustang at Debden following a mission to supply air support over the Normandy beaches soon after D-Day, June 1944. Having previously flown Spitfires and Hurricanes with the RAF, Spitfires with 133 Eagle Squadron, and P-47 Thunderbolts with the Fourth fighter group, Jim Goodson became one of the USAAFs top fighter pilots of WWII. |
Operation Bodenplatte by Nicolas Trudgian. The success of Operation Bodenplatte, on January 1, 1945, was to be achieved by mass surprise attacks on British and American bases in France, Belgium and Holland. It was a battle fought at great cost to the Luftwaffe. During the battles some 300 Luftwaffe aircraft were lost. Though 200 Allied aircraft were destroyed, most on the ground, pilot losses were light. Nicolas Trudgians brilliant painting takes us right into the action above the Allied air base at Eindhoven. Me262 jets join a concentration of Me109s and Fw190s of JG-3 fighter wing, as they hurtle across the airfield in an assault that lasted 23 minutes, while Spitfires from 414 Sqn RCAF do their best to repel the attack. On the ground Typhoon fighters of 439 Sqn take a hammering. Signed by four top Luftwaffe pilots who flew in Operation Bodenplatte. Published in 1998, this great art print sold steadily through the following 12 years and now very few are available. Due to the outstanding signatures sadly none of whom are with us anymore the value has increased from the issue price to nearly double in the first 14 years . This is certainly one to add to your collection. Nicolas Trudgian's early releases were very under priced and many had fantastic signatures. Many collectors recognised this fact in the early years and wisely took advantage of these great initial offer prices, meaning many of these sought after editions soon became hard to find. |
Tangmere Hurricanes by Nicolas Trudgian. MK1 Hurricanes of No. 601 Squadron refueled and rearmed, climb to rejoin the battle during the summer of 1940. As the great air battle rages high above, life goes in the countryside as a Southern Railway train pulls out of a local village station, capturing the resilient mood of the people. |
D-Day Armada by Nicolas Trudgian. There was never a greater concentration of air power deployed in an active theater of war as over the English Channel in May and June 1944. As D-Day approached, the USAAFs Ninth Air Force had assembled over 3500 aircraft a day, they were pounding enemy positions all the way from Pas de Calais to the coast of Normandy. 6 June 1944, arguably the most decisive single day in modern military history, saw the sky filled with waves of troop carrying aircraft towing gliders, dropping over 20,000 highly trained men in support of the massed sea-borne landings on the beaches below. Grabbing all the airspace they could find, the combat wings of the Ninth Air Force were creating havoc among the German ground forces as they scrambled to get troops and armor to the battlefront. |
Duxford Eagles by Nicolas Trudgian Base to the legendary Douglas Bader Fighter Wing during the Battle of Britain, Duxford became home to the 78th Fighter Group in April 1943. Today it appropriately houses the American Air Museum, and hosts the many summer air-shows where crowds thrill to the sight and sound of the glorious WWII warbirds. First equipped with P-47 Thunderbolts then P-51Ds, the 78th Fighter Group was credited with 688 enemy aircraft destroyed, 474 in the air, and another 406 destroyed on the ground during low-level strafing missions. Charles London of the 78th became the 8th Air Forces first fighter ace of the war and a 78th pilot, Quince Brown, was the first to down a Me262 jet in August 1944. It is March 1945. Led by Colonel John Landers flying Big Beautiful Doll, one of the 8th Air Forces most flamboyant fighters, the 78th P-51D Mustangs roar off the field to begin an escort mission taking B-17 Fortresses already airborne in the background all the way to Hamburg. |
Rocket Attack by Nicolas Trudgian. It required more than a little nerve to fly a fighter into the barrage of fire sprayed out by the gunners of a box of B17 bombers; it took even greater courage to do so in the rocket propelled Me163 Komet. With rocket science still in its infancy, these small aircraft were still in the experimental stage, and piloting what amounted to a flying bomb was in itself a perilous business, let alone flying them into combat. But these were desperate times. The day and night bombing assault on Germany was bringing the mighty war machine to its knees, and aything that might help stem the tide was thrown into battle. Powered by a mixture of two highly volatile chemicals, the slightest leak, or heavy landing could cause a huge explosion, and the mix was so corrosive that in the event of even a minor accident, the pilot could literally be dissolved. Sitting in a cramped cockpit, surrounded by dangerous chemicals and ammunition, the intrepid aviator would be launched into the sky on what was, at best, a four minute mission. After, hopefully, engaing the enemy, he would glide powerlessly back to the nearest airfield to be refuelled so as to attempt the hazardous operation all over again. Though limited to a handful of victories, the Komet did make the Allied crews wonder what else the Luftwaffe had hidden up its sleeve, and had the distinction of being the forerunner of aircraft technology that eventually took aircraft into space. Capable of nearly 600mph and climbing to 30,000ft in less than two minutes, this tiny rocket propelled Me163 Komet was typical of Germanys ingenuity in its desperate attempts to stem the havoc being wreaked by the USAAFs daylight bombers. |
Operation Mercury by Nicolas Trudgian. Slow, frail, out-dated and hopelessly outnumbered, Gladiator biplanes of 112 Squadron RAF tenaciously throw themselves into the fray, attacking Luftwaffe fighter-bombers in the battle for Crete, in April 1941. This painting shows Me110Cs of II./ZG76, having attacked naval units off the coast of Crete in early May 1941, being bravely intercepted by two Gladiators of 112 Squadron. Heavily outnumbered, the best the RAF pilots can hope for is to disrupt the Luftwaffe formation. And this they continued to do until, literally, they had no more aircraft left! |
B-24 Liberator by Nicolas Trudgian. Part of a small print series of six American WW2 aircraft, signed by some of the great American pilots, some no longer with us. Cranston Fine Arts have purchased the last remaining stocks of this aviation series. |
Hot Pursuit by Nicolas Trudgian. (B) Flying a bomber escort mission, a P- 51 Mustang of the 357th Fighter Group engages Me109s about to descend upon a formation of B-17 Flying Fortresses. |
Alfa-Strike by Nicolas Trudgian. In the Vietnam war Squadron VA-163 was stationed aboard the carrier Oriskany on its second cruise, the squadrons A-4 Skyhawks were led by Commander Wynn Foster, one of the navys most aggressive strike leaders, and under Air Wing Commander James Stockdale, the A-4 pilots racked up a formidable record as a top fighting unit. |
First of the Jets by Nicolas Trudgian. No text for this item |
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