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Ju88

Battle of Britain Ju88 Aviation Art


Aviation Art Prints Articles and Reports Battle of Britain Aircraft Index Ju88

[UP] - Anson - Blenheim - Defiant - Do17 - Gladiator - He111 - Hurricane - Ju87 - Ju88 - Me109 - Me110 - Spitfire





Ju88 Battle of Britain Aviation Art Prints, Paintings and Drawings

Assault on the Capital by Robert Taylor


Assault on the Capital by Robert Taylor
One of 2 editions available.
Both editions feature 17 additional signatures.
£625.00

Mädchen für Alles by Ivan Berryman.


Mädchen für Alles by Ivan Berryman.
8 editions.
£2.90 - £1100.00

First Combat by Robert Taylor


First Combat by Robert Taylor
One edition.
The edition features an additional signature.
£170.00


Hurricane Country by Nicolas Trudgian.


Hurricane Country by Nicolas Trudgian.
4 of 6 editions available.
All 6 editions feature up to 6 additional signatures.
£140.00 - £300.00

Double Trouble by Stan Stokes.


Double Trouble by Stan Stokes.
3 of 4 editions available.
2 of 3 editions featuring an additional signature are available.
£35.00 - £130.00

Decisive Blow by Anthony Saunders.

Decisive Blow by Anthony Saunders.
5 editions.
All 5 editions feature up to 5 additional signature(s).
£110.00 - £550.00



Text for the above items :

Assault on the Capital by Robert Taylor

Robert Taylors final painting in his 60th Anniversary trilogy features a scene from the attacks on the afternoon of September 7, 1940. Led by Herbert Ihlefeld, Me109Es of II/LG 2 dive through the bomber formation giving chase to Hurricanes of 242 Squadron as Ju88s of KG30, having unloaded their bombs, head for home. One Ju88 has been hit and is already losing height, and will not return. Following behind He111s of KG53 try to keep formation as they fly through flak. The sky is alive with action.


Mädchen für Alles by Ivan Berryman.

Translated as Maid of all Work. Junkers Ju.88A-1 4D+DC of Stab II./KG 30 Eagle Wing is depicted attacking a requisitioned Royal Navy trawler in the English Channel in the summer of 1940.


First Combat by Robert Taylor

Don Kingaby is the only pilot in the RAF to have been awarded 3 DFMs. During his first combat on August 12, 1940, he severely damaged an JU88 over the Isle of Wight and Robert Taylor captures the moment of break, with the JU88 already smoking. Don Kingaby flew a further 450 operational sorties on Spitfires.


Hurricane Country by Nicolas Trudgian.

Released on the 65th Anniversary of the Battle of Britain a new limited edition to commemorate Churchills famous few. Stalwart of the Battle of Britain, the Hawker Hurricane equipped the majority of the RAF squadrons that defended Britain during that epic and decisive air battle in the summer of 1940. At the forefront of the air fighting over the southern counties of England, the young Hurricane pilots of 501 Squadron covered themselves in glory. Nicolas Trudgians painting sets the scene: a victim of yesterdays aerial conflicts, a crashlanded German Ju88 of KG30 lies on the edge of a Sussex field; the attention of two members of the local Home Guard is drawn to the Hurricanes of 501 Squadron as the fighters race back at low-level to Gravesend for fuel and ammunition. Within minutes they will scramble aloft again to rejoin the fray.

Published 2005.


Double Trouble by Stan Stokes.

The Bristol Beaufighter was one of the most successful twin-engine fighters utilized by the RAF during WW II. The forerunner of the Beaufighter was the Bristol Beaufort, which was the first modern torpedo bomber to enter service. The Beaufort, known officially as the Type-152 was derived from the earlier Type-150, which in turn had been influenced by the Bristol Blenheim. About the time the first Beauforts were being flight tested, the aircrafts chief designer, Leslie Frise, commenced a study to see if the Beauforts airframe could be adapted to create a twin engine fighter design. The modified design (Type-156) incorporated a narrower fuselage, a shorter nose section utilizing a single-seat cockpit, and a dorsal observers position. The prototype Beaufighter made its first flight in July of 1939. A year of flight testing and refinement followed. Only Hercules III engines were available for the first production models. This gave the first marks performance roughly comparable to a Hawker Hurricane. Most Beaus were armed with four nose-mounted canon and an additional six machine guns in the wings. This gave the Beaufighter an impressive amount of firepower. As the Battle of Britain raged priority was given to modifying existing aircraft to the night fighter role. German bombers were relatively free from RAF fighters when attacking at night. The Beaufighter represented an ideal platform for this night fighter role. It was fast enough at 360-MPH to catch German bombers, it was heavily armed, and the observers position was an ideal spot to incorporate a radar operators controls. These night fighter versions were painted a matte black. On October 25, 1940 a Beaufighter recorded its first night victory. The Beaus utilized a transmitting antenna mounted on the nose, and receiving antennas mounted on the leading section of both wings. As the War progressed the Beaufighter would also become an important ground attack and fighter/bomber for the RAF. As depicted in Stan Stokes dramatic painting entitled Double Trouble, an RAF Beaufighter piloted by Group Captain John Cunningham downs a Ju-88 bomber. Cunningham was the RAFs top night fighter ace. He, and his radar operator Jimmy Rawnsley, were credited with nineteen night victories. Cunningham also downed one enemy aircraft during daylight. He served with No. 604 Squadron, which had both a day and night fighter capability. The squadrons night fighting proficiency rose dramatically from late 1940 until mid-1941. By 1943, the Beaufighters were replaced with faster Mosquitoes. Cunningham was demobilized following the War. He joined DeHavilland Aircraft as its Chief Test Pilot following the War, and retired from British Aerospace in 1980.


Decisive Blow by Anthony Saunders.

The Luftwaffe had done everything in its power to pummel London into submission but they failed. By the end of September 1940 their losses were mounting. For weeks since the early days of September, London had been the main target for the Luftwaffe and during that time Luftwaffe High Command had grown increasingly despondent as their losses steadily mounted. Far from being on the brink of collapse RAF Fighter Command, though vastly outnumbered, had shown an incredible resilience. The fighting had reached a dramatic climax on Sunday 15th September when, bloodied and bruised, the Luftwaffe had lost the upper hand on a day of intense combat that had culminated with a humiliating retreat. Almost every day that had passed since then had seen the Luftwaffe do everything in its power to pummel London and regain the initiative, but the daylight raids were becoming increasingly costly. On Friday 27th September, 80 days after the Battle of Britain had officially begun, the Luftwaffe came once more, this time concentrating on the fastest bombers they had - Ju88s and Bf110s. And they came in force, principally targeting London and Bristol. Anthony Saunders' superb painting depicts one of these raids, this time by bombers from KG77 as they head over the Medway Estuary, east of the City of London, in an attempt to attack the capital's warehouses and docks. Among the many units defending the capital that day was 92 Squadron from Biggin Hill and Anthony portrays the Spitfire of Pilot Officer Geoffrey Wellum in his dramatic piece. With a deft flick of the rudder Wellum banks his fighter away to port seconds after sharing in the destruction of a Ju88. It was just one of more than 50 German aircraft destroyed by the RAF during the day.



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